As One - Requiem - VINYL LP

-180g heavyweight vinyl / 2 LP set, W jacket design- Limited Edition (First Time on Vinyl) Although it is labeled as the 6th album, this is actually their first best-of album. The tracks 'Guard Rail ni Suwari Nagara', 'Mune ga Kowaresou', 'Rude Boy [Furyou Shounen no Uta]', and 'Boku no Kokoro wo Torimodosu Tame ni' from the 1st album 'Red Guitar and the Truth' have been rearranged and newly recorded at the request of the members. It also includes the complete version of 'Warui Hitotachi' with uncut lyrics, which was released independently, as well as the 6th single 'Girl / Jiyuu'. -Please note that the tracklist and artwork differ from the analog version released at the time. Original Date March 1, 1995 LISTEN //open. Spotify. album/5ccEfZqPUrTns2O2yxvCPVTracklist SIDE-A1. Guard Rail ni Suwari Nagara (NEW VERSION)2. Mune ga Kowaresou (NEW VERSION)3. D. I. J. no Pistol4. Rude Boy [Furyou Shounen no Uta] (NEW VERSION) SIDE-B1. RAIN DOG2. Kireina Kubikazari3. Headlight no Waku no Torekata ga Ikashiteru Kuruma SIDE-C1. Fuyu no Sweater2. Disneyland e3. Boku no Kokoro wo Torimodosu Tame ni (NEW VERSION)4. Girl SIDE-D1. Aoi Hana2. Warui Hitotachi (Complete ver. )3. Jiyuu

Neeme Järvi - Symphony 1 in E minor Op 39 [COMPACT DISCS] date 09/22/1994

Mono / REQUIEM FOR HELL - VINYL LP - Requiem For Hell finds Mono returning to longtime friend and collaborator, Steve Albini. After Mono and Albini's band, Shellac, toured Japan together last year, they realized how much they missed the (often wordless) creative dialogue they shared during the making of many of their most memorable albums - beginning with Walking Cloud and Deep Red Sky... (2004) and culminating with Hymn To Immortal Wind (2009). The rebirth of the Albini collaboration for Requiem For Hell also coincided with the birth of a close friend's first child, whose actual in utero heartbeat serves as the foundation for the aptly named InchEly's Heartbeat.Inch For Mono, it all felt so right, so inevitable. Requiem For Hell is undeniably heavier and scarier than most of Mono's output to this point - hear the dizzying 18-minute title track for example - but it also carries some of their most sublime moments. This dichotomy is how one band's obsession with conflict has manifested itself into one of underground music's simultaneously quietest and loudest catalogs.