He makes you feel what it feels like to be alone at the top. Whoever sees and hears him suddenly knows more about the search for the right path that drives every serious person. His stage characters touch the heart. The bass Gunther Groissbock embodies kings, scholars, philosophers in the great opera houses of the world; he plays priests, mythical creatures, gods. You could say he specialises in solitary figures. At first glance, however, Gunther Groissbock does not seem like someone who has personal experience with the subject of loneliness. The singer stands, works, acts on and off stage in intensive contact with people. He is married, father of a daughter, in the middle of life or, as conductor Philippe Jordan puts it InchHe burns for many things in life, not only for artInch. Can you play what you don't know? How does he shape his stage characters? What are the building blocks for the play? When does the instrument, his voice, touch the audience? How much public spirit, how much individuality does an opera singer need today? And where does Gunther Groissbock get the incredible energy he radiates on stage?For two years we accompanied the artist from Waidhofen an der Ybbs (Lower Austria) with our camera, on night journeys and day trips. At rehearsals, sports and performances. We filmed him as the black-robed Kaspar, as the powerful King Philip or as a searcher in the villa of Richard Strauss. The result is a film portrait that tells of a special attitude to life; of loneliness as a source of artistic strength; of a man who can fill his voice with content from within. The film about Gunther Groissbock tells of two lines from a Ruckert poem, set to music by Gustav Mahler InchI live alone in my heaven, in my loving, in my song.Inch
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He makes you feel what it feels like to be alone at the top. Whoever sees and hears him suddenly knows more about the search for the right path that drives every serious person. His stage characters touch the heart. The bass Gunther Groissbock embodies kings, scholars, philosophers in the great opera houses of the world; he plays priests, mythical creatures, gods. You could say he specialises in solitary figures. At first glance, however, Gunther Groissbock does not seem like someone who has personal experience with the subject of loneliness. The singer stands, works, acts on and off stage in intensive contact with people. He is married, father of a daughter, in the middle of life or, as conductor Philippe Jordan puts it InchHe burns for many things in life, not only for artInch. Can you play what you don't know? How does he shape his stage characters? What are the building blocks for the play? When does the instrument, his voice, touch the audience? How much public spirit, how much individuality does an opera singer need today? And where does Gunther Groissbock get the incredible energy he radiates on stage?For two years we accompanied the artist from Waidhofen an der Ybbs (Lower Austria) with our camera, on night journeys and day trips. At rehearsals, sports and performances. We filmed him as the black-robed Kaspar, as the powerful King Philip or as a searcher in the villa of Richard Strauss. The result is a film portrait that tells of a special attitude to life; of loneliness as a source of artistic strength; of a man who can fill his voice with content from within. The film about Gunther Groissbock tells of two lines from a Ruckert poem, set to music by Gustav Mahler InchI live alone in my heaven, in my loving, in my song.Inch
![Back to the Future Trilogy: 40th Anniversary Edition - 4K Blu-Ray [Standard] [4K Ultra HD Blu-ray]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/735f6825-457b-4b8c-aa84-4c1333e549e3.jpg;maxHeight=422;maxWidth=264?format=webp)
Eight-disc set includes Back To The Future (1985) Michael J. Fox stars as Marty McFly, a teen from 1985 who accidentally travels back to 1955 in a time machine constructed out of a DeLorean by his friend, frazzled scientist Doc Brown (Christopher Lloyd). Trapped in the past, Marty must restore the timeline by playing matchmaker to his future parents (Crispin Glover and Lea Thompson) while Doc's '50s counterpart tries to help him get back to 1985. Thomas F. Wilson also stars in director Robert Zemeckis' exciting blend of sci-fi, action, and comedy. 116 minutes. Back To The Future Part II (1989) Marty (Michael J. Fox) and Doc (Christopher Lloyd) are back for more adventures in time in this smash sequel. After zipping ahead to the year 2015, the duo returns to an altered 1985, leading to another trip to the 1950s in order to undo the damage caused by Biff Tannen (Thomas F. Wilson) and a sports almanac he brought back from the future. Fox also appears as Marty's kids, Marty, Jr., and Marlene. With Lea Thompson, Elisabeth Shue. 108 minutes. Back To The Future Part III (1990) The third and final entry in the popular time-traveling trilogy finds Marty (Michael J. Fox) heading to the Old West to help his pal Doc (Christopher Lloyd). But while Doc falls head-over-heels for a sweet schoolmarm (Mary Steenburgen), it's Marty's feud with notorious gunslinger and outlaw Buford InchMad DogInch Tannen (Thomas F. Wilson) that may prevent them from ever returning to the present. Lea Thompson co-stars, with Fox also appearing as Marty's ancestor Seamus McFly. 118 minutes.
| Pros for Astrid Bscher - Bruckner, Dvorak, Puccini & Mahler: Ich leb’ allein in meinem Himmel - The Singer - BLU-RAY | |||
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