Ata Kak - Batakari - CASSETTES
About This Item
- Details
- Genre: Rock
- Description: Ata Kak created a peculiar slice of Ghanaian music history with his debut album InchObaa SimaInch. While it barely made a ripple at the time of it's in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on the blog Awesome Tapes From Africa as it's very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musician's identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal. Now, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singer's acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kak's new songs are also the natural expression of a restless artist-he is a prolific poet and author of a half-dozen books, as well as an active gardener and busy painter. Born in Ghana in 1960, Ata Kak wasn't always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded InchObaa SimaInch there at his home studio and released it in Ghana in 1994. He didn't participate in music much in the intervening years until InchObaa SimaInch was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and
- Artist: Ata Kak
- Title: Batakari
- Format: Cassette
- Label: Awesome Tapes from
- Release Date: 11/07/2025
- Genre: Rock
- Other
- Product Name: Ata Kak - Batakari - CASSETTES
- UPC: 843563192863
Ata Kak created a peculiar slice of Ghanaian music history with his debut album InchObaa SimaInch. While it barely made a ripple at the time of it's in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on the blog Awesome Tapes From Africa as it's very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musician's identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal. Now, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singer's acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kak's new songs are also the natural expression of a restless artist-he is a prolific poet and author of a half-dozen books, as well as an active gardener and busy painter. Born in Ghana in 1960, Ata Kak wasn't always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded InchObaa SimaInch there at his home studio and released it in Ghana in 1994. He didn't participate in music much in the intervening years until InchObaa SimaInch was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and
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Ata Kak created a peculiar slice of Ghanaian music history with his debut album InchObaa SimaInch. While it barely made a ripple at the time of it's in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on the blog Awesome Tapes From Africa as it's very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musician's identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal. Now, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singer's acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kak's new songs are also the natural expression of a restless artist-he is a prolific poet and author of a half-dozen books, as well as an active gardener and busy painter. Born in Ghana in 1960, Ata Kak wasn't always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded InchObaa SimaInch there at his home studio and released it in Ghana in 1994. He didn't participate in music much in the intervening years until InchObaa SimaInch was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and
Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX
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