Atterberg / Andersson / Levin - Concerto for Violin / Cello & Orchestra - COMPACT DISCS [CD]
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About This Item
- Details
- Genre: Classical
- Description: This includes the first recording of Kurt Atterberg's concerto for violin, cello and symphony orchestra, a work inspired by folk tunes and commissioned by the Swedish Radio in 1960. This also includes his Suite Barocco- elegant neoclassical music, used as theme music to Shakespeare's The Winter's Tale and The Sinfonia per archi- music of deep and sincere emotion. One of Sweden's leading composers during the middle twentieth century, Kurt Atterberg championed contemporary Swedish music as a whole in his work as a conductor, critic, and officer in composer-advocacy organizations. His music was easily accessible - a polytonal treatment of late Romanticism - and he had little love for more advanced techniques or the composers, even young Swedes, who used them. In his lifetime, he developed only a small reputation outside Scandinavia, mainly in Germany; even in Sweden he was regarded as something of a relic by the 1950s, his final period of extensive composition. Atterberg's work has enjoyed a revival on recordings, if not in the concert hall, and his posthumous reputation now seems secure.
- Artist: ATTERBERG / ANDERSSON / LEVIN
- Title: Concerto for Violin / Cello & Orchestra
- Format: CD
- Label: Danacord Records
- Release Date: 04/05/2019
- Genre: Classical
- Number Of Discs: 1
- Other
- Product Name: Atterberg / Andersson / Levin - Concerto for Violin / Cello & Orchestra - COMPACT DISCS
- UPC: 5709499836002
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This includes the first recording of Kurt Atterberg's concerto for violin, cello and symphony orchestra, a work inspired by folk tunes and commissioned by the Swedish Radio in 1960. This also includes his Suite Barocco- elegant neoclassical music, used as theme music to Shakespeare's The Winter's Tale and The Sinfonia per archi- music of deep and sincere emotion. One of Sweden's leading composers during the middle twentieth century, Kurt Atterberg championed contemporary Swedish music as a whole in his work as a conductor, critic, and officer in composer-advocacy organizations. His music was easily accessible - a polytonal treatment of late Romanticism - and he had little love for more advanced techniques or the composers, even young Swedes, who used them. In his lifetime, he developed only a small reputation outside Scandinavia, mainly in Germany; even in Sweden he was regarded as something of a relic by the 1950s, his final period of extensive composition. Atterberg's work has enjoyed a revival on recordings, if not in the concert hall, and his posthumous reputation now seems secure.
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