Avalon Emerson & the Charm - Written Into Changes - Red - VINYL LP
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Change, they say, is the only constant in life. Fittingly, multi-hyphenate musician Avalon Emerson sounds at home harnessing the steady flux of her existence on Written into Changes, the memoiristic second album released under her Avalon Emerson & the Charm moniker. A work of rigorous invention and revision, the album's themes of personal and relationship evolution Inchcame into clarity after they were all done,Inch according to Emerson.The making of Changes was, appropriately enough, very different from that of & the Charm. While that album was, in Emerson's words, Inchsoft and bedroomy,Inch the energy was upped this time around, as Emerson carefully considered how this material would work in a live context. The resulting body of work is band-driven but groove-heavy and dance-adjacent. The break-beat-assisted InchEdenInch has a InchbaggyInch sound that's reminiscent of dance-rock hybrids of the late '80s and early '90s. The witty InchHow Dare This BeerInch was written in loving tribute to the Magnetic Fields. Inch'87 to '94 is my idea of the best era of music,Inch says Emerson. InchAnd with Nathan, our musical taste overlaps quite a bit.InchNathan is Nathan Jenkins, aka Bullion, who co-produced & the Charm and returned to handle the bulk of it's followup. Much of the recording took place in Braintree, England, in the winter into spring of 2024. The two tracks co-produced with Rostam Batmanglij (InchJupiter & MarsInch and InchEarth AliveInch) were cut in Los Angeles. Synth touches were added at the Synth Cabin at Rosen Sound in Glendale, California. While the collaborative creation of Written into Changes diverged considerably from Emerson's dancefloor-tailored solo productions, the influence of dance music is splashed all over it. Emerson was fixated on her music's low end as she crafted it. InchBass was definitely a priority,Inch she says.Emerson wrote the melodies
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- GenreRockDescriptionChange, they say, is the only constant in life. Fittingly, multi-hyphenate musician Avalon Emerson sounds at home harnessing the steady flux of her existence on Written into Changes, the memoiristic second album released under her Avalon Emerson & the Charm moniker. A work of rigorous invention and revision, the album's themes of personal and relationship evolution Inchcame into clarity after they were all done,Inch according to Emerson.The making of Changes was, appropriately enough, very different from that of & the Charm. While that album was, in Emerson's words, Inchsoft and bedroomy,Inch the energy was upped this time around, as Emerson carefully considered how this material would work in a live context. The resulting body of work is band-driven but groove-heavy and dance-adjacent. The break-beat-assisted InchEdenInch has a InchbaggyInch sound that's reminiscent of dance-rock hybrids of the late '80s and early '90s. The witty InchHow Dare This BeerInch was written in loving tribute to the Magnetic Fields. Inch'87 to '94 is my idea of the best era of music,Inch says Emerson. InchAnd with Nathan, our musical taste overlaps quite a bit.InchNathan is Nathan Jenkins, aka Bullion, who co-produced & the Charm and returned to handle the bulk of it's followup. Much of the recording took place in Braintree, England, in the winter into spring of 2024. The two tracks co-produced with Rostam Batmanglij (InchJupiter & MarsInch and InchEarth AliveInch) were cut in Los Angeles. Synth touches were added at the Synth Cabin at Rosen Sound in Glendale, California. While the collaborative creation of Written into Changes diverged considerably from Emerson's dancefloor-tailored solo productions, the influence of dance music is splashed all over it. Emerson was fixated on her music's low end as she crafted it. InchBass was definitely a priority,Inch she says.Emerson wrote the melodiesArtistAvalon Emerson & the CharmTitleWritten Into Changes - RedFormatVINYLLabelDead Oceans
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Change, they say, is the only constant in life. Fittingly, multi-hyphenate musician Avalon Emerson sounds at home harnessing the steady flux of her existence on Written into Changes, the memoiristic second album released under her Avalon Emerson & the Charm moniker. A work of rigorous invention and revision, the album's themes of personal and relationship evolution Inchcame into clarity after they were all done,Inch according to Emerson.The making of Changes was, appropriately enough, very different from that of & the Charm. While that album was, in Emerson's words, Inchsoft and bedroomy,Inch the energy was upped this time around, as Emerson carefully considered how this material would work in a live context. The resulting body of work is band-driven but groove-heavy and dance-adjacent. The break-beat-assisted InchEdenInch has a InchbaggyInch sound that's reminiscent of dance-rock hybrids of the late '80s and early '90s. The witty InchHow Dare This BeerInch was written in loving tribute to the Magnetic Fields. Inch'87 to '94 is my idea of the best era of music,Inch says Emerson. InchAnd with Nathan, our musical taste overlaps quite a bit.InchNathan is Nathan Jenkins, aka Bullion, who co-produced & the Charm and returned to handle the bulk of it's followup. Much of the recording took place in Braintree, England, in the winter into spring of 2024. The two tracks co-produced with Rostam Batmanglij (InchJupiter & MarsInch and InchEarth AliveInch) were cut in Los Angeles. Synth touches were added at the Synth Cabin at Rosen Sound in Glendale, California. While the collaborative creation of Written into Changes diverged considerably from Emerson's dancefloor-tailored solo productions, the influence of dance music is splashed all over it. Emerson was fixated on her music's low end as she crafted it. InchBass was definitely a priority,Inch she says.Emerson wrote the melodies
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There are so many unbelievably gorgeous songs out there that in the beginning I found myself unable to decide which songs to record. But, once I decided this album would be intimate, honest with just piano and voice the decision of the choice became clear. Here it is. I am so proud of it and hope you enjoy listening to it. It is important for me to acknowledge and thank some very dear people who surrounded me with love, patience and support throughout the making of this album. Frank Kimbrough for his sensitive piano accompaniment in the studio. Jay Clayton for her love, wisdom, experience and incredible musicianship. What a beautiful songbird she is! Sheila Jordan for her love, strength, guidance and sense of humor. Nobody does it better. Connie Crothers for her openness which helped open new musical doors for me. Ann Jaimes for her invaluable friendship throughout the years, monster ears, uncompromising standards and whose musical arrangement of Lazy Afternoon helped shape my approach to that song. Justine Parsons for her creative force which throughout my life has kept me on my toes. Philipp Haemmerle for his generosity and being there when it counted. My family for their love.
Ltd. Edition red transparent vinyl. Maerzfeld started as a Rammstein tribute band. They soon started recording their own material, here comes their fifth studio album. ('InchAlles andersInch) Everything is different, is the deliberately striking title of the new Maerzfeld album.The world is no longer the same as it was 3 years ago and also for the musicians there were formative experiences and associated changes, which are processed in the new songs and allow an often very personal insight into the emotional life of the individual artists.So you can hear and feel a mixture of depression, hope, anger, despair, joy and courage. Maerzfeld makes it clear right at the beginning of the album with the title song that the band looks curiously to the future and understands change as a chance to break with habits. Therefore, in a positive sense, InchEverything is differentInch now.
Released in 1974 after King Crimson had Inchceased to existInch, Red remains a remarkably powerful document of a group quitting at the top of it's game. The grinding crunch of Red appears to anticipate much of the heavy metal scene whilst the epic Starless brings together several strands of the group's musical history. Including powerful contributions from Ian McDonald, Mel Collins, David Cross, Mark Charig and Robin Miller, Red form what is arguably the definitive statement of the '70s period Crimson. Bill Bruford recently described the album in just five words Prescient, short and bass heavy.InchLP Track Listing A1 Red A2 Fallen Angel A3 One More Red Nightmare B1 Providence B2 Starless
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