
The introduction of bebop to the musical melting pot that was the jazz scene of the 1940s brought about a revolution in the way that genre of music presented itself to the public. A new school of young musicians turned the traditional form of jazz on it's head and brought about a new way of presenting songs without words that would itself evolve into the vocalese of the likes of Lambert, Hendricks and Ross, Eddie Heywood and King Pleasure. The pioneer of this style - on record, at least, was Babs Gonzales who, with a few like-minded souls, created a vocal bebop where wordless singing gave voice to the kind of sounds that Dizzy Gillespie, Charlie Parker and others were creating instrumentally. On this new Jasmine collection, you can hear the evolution of this then-unique concept as it took place in the late 1940s and early 1950s, with Babs and his vocal cohorts supported instrumentally by some of the key musicians of the emerging bebop scene. The titles might not always make much sense - but the music does, and it's easy to see why this new style gripped the imagination of a new generation of jazz fans in the same way that rock 'n' roll would capture the imagination of a 1950s young America who were bored with traditional pop music. Babs would eventually go on to pioneer his own style of 'rapping' that would be the start of the road to hip hop. That's another saga for another CD - but here Jasmine brings you more than two dozen examples of the work of the man who made vocalese sound easy, in chronological order and in the best sound of any Gonzales anthology so far. Album Tracks 1. Oop-Pop-A-Da - Babs' Three Bips and a Bop 2. Stompin' at the Savoy - Babs' Three Bips and a Bop 3. Lop-Pow - Babs' Three Bips and a Bop 4. Pay Dem Dues - Babs' Three Bips and a Bop 5. Dob-Bla-Bli - Babs' Three Bips and a Bop 6. Babs' Dream - Babs' Three Bips and a Bop 7. 12
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The introduction of bebop to the musical melting pot that was the jazz scene of the 1940s brought about a revolution in the way that genre of music presented itself to the public. A new school of young musicians turned the traditional form of jazz on it's head and brought about a new way of presenting songs without words that would itself evolve into the vocalese of the likes of Lambert, Hendricks and Ross, Eddie Heywood and King Pleasure. The pioneer of this style - on record, at least, was Babs Gonzales who, with a few like-minded souls, created a vocal bebop where wordless singing gave voice to the kind of sounds that Dizzy Gillespie, Charlie Parker and others were creating instrumentally. On this new Jasmine collection, you can hear the evolution of this then-unique concept as it took place in the late 1940s and early 1950s, with Babs and his vocal cohorts supported instrumentally by some of the key musicians of the emerging bebop scene. The titles might not always make much sense - but the music does, and it's easy to see why this new style gripped the imagination of a new generation of jazz fans in the same way that rock 'n' roll would capture the imagination of a 1950s young America who were bored with traditional pop music. Babs would eventually go on to pioneer his own style of 'rapping' that would be the start of the road to hip hop. That's another saga for another CD - but here Jasmine brings you more than two dozen examples of the work of the man who made vocalese sound easy, in chronological order and in the best sound of any Gonzales anthology so far. Album Tracks 1. Oop-Pop-A-Da - Babs' Three Bips and a Bop 2. Stompin' at the Savoy - Babs' Three Bips and a Bop 3. Lop-Pow - Babs' Three Bips and a Bop 4. Pay Dem Dues - Babs' Three Bips and a Bop 5. Dob-Bla-Bli - Babs' Three Bips and a Bop 6. Babs' Dream - Babs' Three Bips and a Bop 7. 12

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited 180 gram vinyl LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, InchWhen Doves CryInch and InchLet's Go CrazyInch, topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA. Album Tracks 1. Let's Go Crazy 2. Take Me with U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 1. When Doves Cry 2. I Would Die 4 U 3. Baby I'm a Star 4. Purple Rain

Limited 180 gram vinyl LP pressing. The Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust. The album tells the story of Ziggy, a rock star who acts as a messenger for extraterrestrial beings. The album, and the character of Ziggy Stardust, was known for it's glam rock influences and themes of sexual exploration and social commentary. These factors, coupled with the ambiguity surrounding Bowie's sexuality and fuelled by a ground-breaking performance of InchStarmanInch on Top of the Pops led to the album being met with controversy and since hailed as a seminal work. The Rise and Fall of Ziggy Stardust and the Spiders From Mars has been consistently considered one of the greatest albums of all time, with Rolling Stone magazine ranking it the 35th greatest ever. Album Tracks 1. Five Years (2012 Remastered Version) 2. Soul Love (2012 Remastered Version) 3. Moonage Daydream (2012 Remastered Version) 4. Starman (2012 Remastered Version) 5. It Ain't Easy (2012 Remastered Version) 1. Lady Stardust (2012 Remastered Version) 2. Star (2012 Remastered Version) 3. Hang on to Yourself (2012 Remastered Version) 4. Ziggy Stardust (2012 Remastered Version) 5. Suffragette City (2012 Remastered Version) 6. Rock 'N' Roll Suicide (2012 Remastered Version)
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