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Bach,J.S. / Kuusisto - Sonatas & Partitas - SUPER-AUDIO CD [Super Audio CD (SACD)]

SKU: 10673598

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There are many questions surrounding Johann Sebastian Bach's 'Six Solos for violin', or the Sonatas and Partitas for solo violin, as they are usually called today. When did he compose them, and why, and for whom? In what circumstances were they performed? And why would a master of polyphony choose to write for a melody instrument with limited scope for polyphony or chords? We can only guess at the answers - which makes the works all the more fascinating. The legendary violinist George Enescu famously described the set as 'the Himalayas of violinists', but for more than 200 years they were primarily regarded as pedagogical exercises rather than compositions worthy of the concert hall. Felix Mendelssohn and Robert Schumann tried to popularize them by making versions with piano accompaniment, while Busoni did away with the violin altogether in his transcription of the famous Chaconne from Partita No. 2. But since Yehudi Menuhin made the first complete recording of the Sonatas and Partitas, between 1929 and 1936, they have become a staple during violin recitals, on album and in concert. Fascinating performers and audiences alike with their architectural perfection as well as their emotional range, these are works that lend themselves to very different interpretations, and on this recording it is the Bach of Finnish violinist Jaakko Kuusisto we hear. Himself a composer - as well as violinist and conductor - Kuusisto remembers beginning to study individual movements from the set at the age of ten. The music has been with him ever since, and to him 'no other works for the violin provide a higher challenge or greater beauty'.

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  • Genre
    Classical
    Description
    There are many questions surrounding Johann Sebastian Bach's 'Six Solos for violin', or the Sonatas and Partitas for solo violin, as they are usually called today. When did he compose them, and why, and for whom? In what circumstances were they performed? And why would a master of polyphony choose to write for a melody instrument with limited scope for polyphony or chords? We can only guess at the answers - which makes the works all the more fascinating. The legendary violinist George Enescu famously described the set as 'the Himalayas of violinists', but for more than 200 years they were primarily regarded as pedagogical exercises rather than compositions worthy of the concert hall. Felix Mendelssohn and Robert Schumann tried to popularize them by making versions with piano accompaniment, while Busoni did away with the violin altogether in his transcription of the famous Chaconne from Partita No. 2. But since Yehudi Menuhin made the first complete recording of the Sonatas and Partitas, between 1929 and 1936, they have become a staple during violin recitals, on album and in concert. Fascinating performers and audiences alike with their architectural perfection as well as their emotional range, these are works that lend themselves to very different interpretations, and on this recording it is the Bach of Finnish violinist Jaakko Kuusisto we hear. Himself a composer - as well as violinist and conductor - Kuusisto remembers beginning to study individual movements from the set at the age of ten. The music has been with him ever since, and to him 'no other works for the violin provide a higher challenge or greater beauty'.
    Artist
    BACH,J.S. / KUUSISTO
    Title
    Sonatas & Partitas
    Format
    Super Audio CD (SACD)
    Label
    Bis
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Bach,J.S. / Kuusisto - Sonatas & Partitas   - SUPER-AUDIO CD [Super Audio CD (SACD)]
Bach,J.S. / Kuusisto - Sonatas & Partitas - SUPER-AUDIO CD [Super Audio CD (SACD)]

There are many questions surrounding Johann Sebastian Bach's 'Six Solos for violin', or the Sonatas and Partitas for solo violin, as they are usually called today. When did he compose them, and why, and for whom? In what circumstances were they performed? And why would a master of polyphony choose to write for a melody instrument with limited scope for polyphony or chords? We can only guess at the answers - which makes the works all the more fascinating. The legendary violinist George Enescu famously described the set as 'the Himalayas of violinists', but for more than 200 years they were primarily regarded as pedagogical exercises rather than compositions worthy of the concert hall. Felix Mendelssohn and Robert Schumann tried to popularize them by making versions with piano accompaniment, while Busoni did away with the violin altogether in his transcription of the famous Chaconne from Partita No. 2. But since Yehudi Menuhin made the first complete recording of the Sonatas and Partitas, between 1929 and 1936, they have become a staple during violin recitals, on album and in concert. Fascinating performers and audiences alike with their architectural perfection as well as their emotional range, these are works that lend themselves to very different interpretations, and on this recording it is the Bach of Finnish violinist Jaakko Kuusisto we hear. Himself a composer - as well as violinist and conductor - Kuusisto remembers beginning to study individual movements from the set at the age of ten. The music has been with him ever since, and to him 'no other works for the violin provide a higher challenge or greater beauty'.

J.S. Bach - Sonatas & Partitas   - COMPACT DISCS [CD]

J.S. Bach - Sonatas & Partitas [COMPACT DISCS] date 06/30/2008

Bach,J.S. / Suzuki - English Suites   - SUPER-AUDIO CD [Super Audio CD (SACD)]

A busy schedule as music director of the Bach Collegium Japan and sought-after guest conductor doesn't stop Masaaki Suzuki from returning to his first loves, the organ and the harpsichord. With the present he adds yet another chapter to his series of Bach's works for solo harpsichord. After acclaimed recordings of the Well-tempered Clavier, the Goldberg variations, the French Suites and other works the turn has come to the English Suites. Composed while Bach was in his thirties it precedes other sets such as the French Suites and the Toccatas, and in his liner notes, Bach scholar Yo Tomita draws attention to 'the stylistic traits of a youthful and ambitious composer wanting to make his mark through the use of counterpoint and virtuosity'. Despite it's title, the collection has very little to do with England, at least musically the six suites are instead rooted in the French tradition, and show certain striking similarities to the composer Charles Dieupart's Six Suittes pour le Clavessin from 1701. (Bach made a copy of Dieupart's set sometime between 1709 and 1716.) It was only in the 19th century that the suites became known as the 'English', based on a never substantiated claim that the set was commissioned by an English nobleman.

J.S. Bach - 6 Partiten: Clavier Uebung Part 1   - SUPER-AUDIO CD [Super Audio CD (SACD)]

Details 1. Ouverture 2. Allemande 3. 1st Courante 4. Aria 5. Sarabande 6. Menuett 7. Gigue 8. Praeludium 9. Allemande 10. Corrente 11. Sarabande 12. Menuett I - II 13. Gigue 14. Sinfonia 15. Allemande 16. 1st Courante 17. Sarabande 18. Rondeaux 19. Capriccio 1. Fantasia 2. Allemande 3. Corrente 4. Sarabande 5. Burlesca 6. Scherzo 7. Gigue 8. Praeambulum 9. Allemande 10. Corrente 11. Sarabande 12. Tempo Di Menuetto 13. Passepied 14. Gigue 15. Toccata 16. Allemande 17. Corrente 18. Air 19. Sarabande 20. Tempo Di Gavotta 21. Gigue

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