Bach,J.S. / Mields / Rademann - JS Bach: Erhalt Uns, Herr, Bei Deinem Wort - COMPACT DISCS [CD]

J.S. Bach - Cantatas [COMPACT DISCS] date 07/18/1995

In the Saxon region of Upper Lusatia, a Baroque musical gem has been preserved the Silbermann organ in the parish church of Crostau. It's builder Gottfried Silbermann is regarded as one of the most important organ builders of all times and had a lasting influence on Saxony's organ landscape with his 50 instruments. The basic prerequisite for achieving this was the wonderful sound of his instruments and their excellent technical design. Lucas Pohle, the current cantor at the parish church, showcases his house instrument with a clever and stylish musical program that includes a performance of the Prelude and Fugue in G major, BWV 541, by Johann Sebastian Bach and chorales from the Schübler Collection. The chorale arrangements for oboe and organ by Johann Ludwig Krebs, a pupil of Bach, reveal further facets of the excellent tonal characteristics of the Crostau organ. The crowning finale is the Bach Cantata for alto solo InchGeist und Seele wird verwirretInch, BWV 35 - one of the few cantatas by the Leipzig Thomas Cantor with obbligato organ part. Lucas Pohle takes his audience through the soundscape of this beautiful instrument with wonderful technical skill and subtle, imaginative registrations. The alto Britta Schwarz and the oboist Luise Haugk, accompanied by the Dresden Baroque Orchestra, round off the successful program.

Even though the institution of the InchBWVInch (InchBach-Werke-VerzeichnisInch) - as well as the InchKVInch (InchKechel-VerzeichnisInch) - seems untouchable and sacrosanct, an expansion seems possible. This can hardly be achieved by newly found or identified works, as archives have already been searched very thoroughly. But Holger Eichhorn, founder of the Musicalische Compagney is not satisfied with the existing and established oeuvre, for Motets - and at that some of the highest artistic value and interesting stylistic features - are hidden in about a dozen of Bach's Cantatas. Taking the Motets out of their context in which they have survived (namely in 11 Cantatas) and placing them next to InchtheInch standardized Motets, makes this recording an absolute first.