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Bach,J.S. / Risonanza / Bonizzoni - Harpsichord Concertos 2 - SUPER-AUDIO CD [Super Audio CD (SACD)]

SKU: 10676561

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Here we present the follow-up to the critically acclaimed first volume of Bach's Harpsichord Concertos by Fabio Bonizzoni and his group La Risonanza. This second volume includes a more varied range of works as it starts with the most famous Brandenburg Fifth, which is the first ever harpsichord concert. After the BWV 1054, we have the rather rare BWV 1057, which is the harpsichord version of the Brandenburg Fourth. To end Bonizzoni's survey of all Bach's harpsichord concertos, we find the famous and beloved Triple concerto, with violin and flute. Of the first volume, critics wrote InchHarpsichordist Fabio Bonizzoni does a credible job in integrating the concertos so that they appear not as a soloist versus the ensemble, but rather as an integral part.Inch (Fanfare) InchBonizzoni achieves the difficult task of combining subtle artifice and interpretative joie de vivre with a manner that appears natural and uncomplicated... enticing for it's musical strengths.Inch (Gramophone)

Specifications

  • Genre
    Classical
    Description
    Here we present the follow-up to the critically acclaimed first volume of Bach's Harpsichord Concertos by Fabio Bonizzoni and his group La Risonanza. This second volume includes a more varied range of works as it starts with the most famous Brandenburg Fifth, which is the first ever harpsichord concert. After the BWV 1054, we have the rather rare BWV 1057, which is the harpsichord version of the Brandenburg Fourth. To end Bonizzoni's survey of all Bach's harpsichord concertos, we find the famous and beloved Triple concerto, with violin and flute. Of the first volume, critics wrote InchHarpsichordist Fabio Bonizzoni does a credible job in integrating the concertos so that they appear not as a soloist versus the ensemble, but rather as an integral part.Inch (Fanfare) InchBonizzoni achieves the difficult task of combining subtle artifice and interpretative joie de vivre with a manner that appears natural and uncomplicated... enticing for it's musical strengths.Inch (Gramophone)
    Artist
    BACH,J.S. / RISONANZA / BONIZZONI
    Title
    Harpsichord Concertos 2
    Format
    Super Audio CD (SACD)
    Label
    Challenge
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Bach,J.S. / Risonanza / Bonizzoni - Harpsichord Concertos 2   - SUPER-AUDIO CD [Super Audio CD (SACD)]
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Here we present the follow-up to the critically acclaimed first volume of Bach's Harpsichord Concertos by Fabio Bonizzoni and his group La Risonanza. This second volume includes a more varied range of works as it starts with the most famous Brandenburg Fifth, which is the first ever harpsichord concert. After the BWV 1054, we have the rather rare BWV 1057, which is the harpsichord version of the Brandenburg Fourth. To end Bonizzoni's survey of all Bach's harpsichord concertos, we find the famous and beloved Triple concerto, with violin and flute. Of the first volume, critics wrote InchHarpsichordist Fabio Bonizzoni does a credible job in integrating the concertos so that they appear not as a soloist versus the ensemble, but rather as an integral part.Inch (Fanfare) InchBonizzoni achieves the difficult task of combining subtle artifice and interpretative joie de vivre with a manner that appears natural and uncomplicated... enticing for it's musical strengths.Inch (Gramophone)

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This is the first volume in a complete survey of Bach's harpsichord concertos, recorded by La Risonanza in one-to-a-part practice performance. With his Fifth Brandenburg Concerto, Bach had created the first ever harpsichord concerto. In Leipzig, the opportunity arose to continue this experiment each week at Café Zimmermann he conducted his Collegium musicum in orchestral concerts that lasted around two hours. In the summer of 1733, he took delivery of Incha new harpsichord, the like of which has not been heard before around here.Inch This magnificent instrument, which featured in the Zimmermann concerts, urgently called for concertos to be played by Bach himself as soloist, and even more so his sons and students. Not only in Saxony but also well beyond, Bach was considered to be the absolute authority on all things harpsichord and organ; he thus had to make his own contribution to the emerging genre of the 'clavier concerto.' The manuscript of his six harpsichord concertos should therefore be understood as a repertoire collection for his Collegium musicum, and as a personal manifesto.

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