Badische Staatskapelle Karlsruhe - Symphony No. 9 - SUPER-AUDIO CD [Super Audio CD (SACD)]
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Badische Staatskapelle Karlsruhe - Symphony No. 9 [SUPER-AUDIO CD] date 02/28/2012
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- GenreClassicalDescriptionBadische Staatskapelle Karlsruhe - Symphony No. 9 [SUPER-AUDIO CD] date 02/28/2012ArtistBadische Staatskapelle KarlsruheTitleSymphony No. 9FormatSuper Audio CD (SACD)LabelPan Classics
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For the latest instalment in their Mahler series, the Minnesota Orchestra under the direction of Osmo Vänskä presents what many consider to be the pinnacle of the Austrian composer's entire work, the Ninth Symphony, his last completed symphony. After a vast and emotionally intense first movement that shows an astonishing fluidity of form, theme, texture and tonality, 'the most glorious thing Mahler has written' according to Alban Berg, the second movement brings joy and playfulness and seems to evoke both an urban Straussian world and folk music cultures. To the bitter irony and anger of the third movement the last movement, a mystical Adagio, seems to respond with ineffable tenderness. Often regarded as the composer's monumental - both in terms of scale and emotional scope - leave-taking of the world, the Ninth Symphony can also be understood as a requiem for his daughter who died a few years before, an acknowledgment of the transience of life, a memorial to Vienna, an evocation of fading Austrian and Bohemian landscapes, a homage to a vanishing European cultural world.

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For about 150 years it was believed that Schubert composed his Ninth Symphony in 1828, not long before his death but, musical scholarship being a continuous process, this theory was later disproved. It was discovered late in the 20th century that in fact he composed most of this work three years earlier and revised it in 1826 and 1827. Following a period of poor health, 1825 was a better year for Schubert, while his finances were also improved. Schubert never heard a single performance of many of his works, including this great symphony. When it was rehearsed in 1827 at the Gesellschaftder Musikfreunde in Vienna, the string-players complained that passages in which a rhythmic figure is obsessively repeated, especially in the finale, were unplayable. In May 1824 Schubert attended the first performance of Beethoven's Ninth Symphony. Beethoven revolutionized symphonic form, expanding it's expressive range enormously, his Ninth Symphony in particular being conceived on a much grander scale than any previous symphony. Schubert was just one of many composers influenced by Beethoven's achievements. Many scholars have suggested the various ways in which Schubert was influenced by Beethoven, but the most extraordinary aspect of Schubert's mature music is it's complete individuality. The compositional techniques, the handling of tonality and structure, and the orchestral sound of these two contemporaries have very little in common. Schubert's own profound originality is all the more striking for it's emergence at a time when Beethoven's impact on the development of the symphony was so revolutionary and far-reaching.
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