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Baladino / Fifth House Ensemble - Fifth House Ensemble - COMPACT DISCS [CD]

SKU: 10694931

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Baladino / Fifth House Ensemble - Fifth House Ensemble [COMPACT DISCS] date 06/10/2016

Specifications

  • Genre
    Classical
    Description
    Baladino / Fifth House Ensemble - Fifth House Ensemble [COMPACT DISCS] date 06/10/2016
    Artist
    BALADINO / FIFTH HOUSE ENSEMBLE
    Title
    Fifth House Ensemble
    Format
    CD
    Label
    Cedille
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Baladino / Fifth House Ensemble - Fifth House Ensemble [COMPACT DISCS] date 06/10/2016

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In addition to working on his own compositions, arranging the works of other composers was a constant in Mozart's life. In 1766, Johann Christian Bach was to publish his 'Six Sonatas for Pianoforte or Harpsichord Opus 5' in London. Wolfgang liked these so much that he arranged three sonatas from the collection as concertos for harpsichord. In these three concertos, the harpsichord part is practically identical to the original sonatas by J. Ch. Bach. Although the character of the manuscript suggests that the manuscript (which bears the hand of both Leopold and Wolfgang) could have been made between 1770 and 1772, it is likely that it is based on an earlier draft, close in time to the publication of the Opus 5 sonatas by Christian Bach. Whatever the case, Wolfgang probably planned these chamber concertos for later performances in small, private circles, both in Salzburg and on a new journey through Italy. In April 1764, Bach and the 8-year-old Mozart (!) performed together for the first time in London. The Mozart family's admiration for Johann Christian Bach lasted a lifetime.

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The Altomonte Ensemble, consisting of Rémy Ballot, violin, the violinist Iris Schützenberger, the violists Stefanie Kropfreiter and Peter Aigner and the cellist Jörgen Fog, presents two chamber music works by Anton Bruckner the string quartet, composed 1861/62 at the suggestion of Joseph Hellmesberger, and the string quintet, composed in 1878/79, which is considered the highlight of Bruckner's chamber music oeuvre. The latter work was premiered by Hellmesberger and his extended quartet only after prolonged hesitation, since he originally had considered it in part as unplayable. The quintet has quite symphonic dimensions in terms of length and complexity. After the mentioned performance in 1884, a music critic wrote about the 3rd movement of the work InchThis Adagio has an effect as if were something that had only been now unearthed in the vestiges of Beethoven's papers... a deeply felt work, inspired by inspiration and stemming from the composer's final years.Inch

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