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Barry Douglas - Works for Solo Piano 5 - COMPACT DISCS [CD]

SKU: 10556146

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For his fifth volume of Schubert's piano works, Barry Douglas turns to a contrasting pair of sonatas composed in the 1820s. The A minor, from 1823, was composed whilst he suffered an episode of depression following the onset (and harsh treatment for) syphilis. The D major sonata, however, was written in 1825 on a holiday to Gastein in the Austrian Alps, and is musically more confident and extravert, reminiscent of the 'Great' C major Symphony, begun during the same trip. Douglas completes his programme with a pair of Liszt transcriptions from Schwanengesang 'Liebesbotschaft' and 'Ständchen'. As with the other volumes in this series, Barry Douglas plays a Steinway Model D, and the recording was made in the Curtis Auditorium of the CIT Cork School of Music.

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  • Genre
    Classical
    Description
    For his fifth volume of Schubert's piano works, Barry Douglas turns to a contrasting pair of sonatas composed in the 1820s. The A minor, from 1823, was composed whilst he suffered an episode of depression following the onset (and harsh treatment for) syphilis. The D major sonata, however, was written in 1825 on a holiday to Gastein in the Austrian Alps, and is musically more confident and extravert, reminiscent of the 'Great' C major Symphony, begun during the same trip. Douglas completes his programme with a pair of Liszt transcriptions from Schwanengesang 'Liebesbotschaft' and 'Ständchen'. As with the other volumes in this series, Barry Douglas plays a Steinway Model D, and the recording was made in the Curtis Auditorium of the CIT Cork School of Music.
    Artist
    Barry Douglas
    Title
    Works for Solo Piano 5
    Format
    CD
    Label
    Chandos
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For his fifth volume of Schubert's piano works, Barry Douglas turns to a contrasting pair of sonatas composed in the 1820s. The A minor, from 1823, was composed whilst he suffered an episode of depression following the onset (and harsh treatment for) syphilis. The D major sonata, however, was written in 1825 on a holiday to Gastein in the Austrian Alps, and is musically more confident and extravert, reminiscent of the 'Great' C major Symphony, begun during the same trip. Douglas completes his programme with a pair of Liszt transcriptions from Schwanengesang 'Liebesbotschaft' and 'Ständchen'. As with the other volumes in this series, Barry Douglas plays a Steinway Model D, and the recording was made in the Curtis Auditorium of the CIT Cork School of Music.

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