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Battistini / Gaudenzio / Duella - Storici Organi Della Valsesia - COMPACT DISCS [CD]

SKU: 10629939

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Battistini / Gaudenzio / Duella - Storici Organi Della Valsesia [COMPACT DISCS] date 11/18/2016

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  • Genre
    Classical
    Description
    Battistini / Gaudenzio / Duella - Storici Organi Della Valsesia [COMPACT DISCS] date 11/18/2016
    Artist
    BATTISTINI / GAUDENZIO / DUELLA
    Title
    Storici Organi Della Valsesia
    Format
    CD
    Label
    III Millennio
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Battistini / Gaudenzio / Duella - Storici Organi Della Valsesia   - COMPACT DISCS [CD]
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Battistini / Gaudenzio / Duella - Storici Organi Della Valsesia [COMPACT DISCS] date 11/18/2016

Bridge / Duella - Storici Organi Della Valsesia   - COMPACT DISCS [CD]

Bridge / Duella - Storici Organi Della Valsesia [COMPACT DISCS] date 02/16/2018

Various Artists - L'organo Di Sant'agostino    - COMPACT DISCS [CD]

The restoration of the historical pipe organ of the parish church of St James and Augustine in Cremona, carried out by the organ-maker Pietro Corna in Leffe (Bergamo) between 2017 and the spring-summer 2019, stands out as a relevant episode of the Italian organ-making craft. The instrument currently used, made by Francesco Bossi in 1853, still preserves the wooden organ case and the central group of the facade pipes of a former Renaissance organ, made in 1533 by Nicolò Tezani, a local organ-maker. The Cremonese organist Paolo Bottini plays on the historical organ a compilation of the best pieces of music written by Cremonese composers from the 16th to the 20th century.

Various Artists - Mitteldeutsche Orgelromantik    - COMPACT DISCS [CD]

After the old Uebigau Organ, which was built after the devastating fire in the town in 1681 as part of the subsequent reconstruction of the church, had been extensively repaired in 1771, the Parish of Uebigau sent a letter to Conrad Geissler in 1891 with a request, Inch to undertake the construction of a new organ for the local church.Inch The then already 66-year-old organ builder from Eilenburg had gained an excellent reputation from the organs he had previously built, by then 105 in number. In 1895 the new organ was tested and accepted. As Opus 114, it is a typical instrument of it's builder, with mechanical slide chest, solid, perfected construction, fully developed diapason pipes, a strong, vigorous and full-bodied plenum sound, and a basic number of characteristic romantic and warm sounds. 18 stops are spread over two manuels and pedal. The instrument has since been preserved without major interventions. The programme recorded here is based primarily on the Central German provenance of the organ and it's builder Conrad Geissler and the existing technical capabilities of the instrument. The selected composers form, as it were, a cross-section of central German culture of the mid-19th century.

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