Bell Witch / Aerial Ruin - Stygian Bough Volume I - VINYL LP
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The debut collaboration album from doom metal giants Bell Witch and Aerial Ruin (the solo folk project of singer / songwriter Erik Moggridge), under the moniker of Stygian Bough is a culmination of the work of both artists as witnessed previously on Bell Witch's three full-length albums, where Moggrdige has contributed guest vocals. With each succeeding Bell Witch , one has seen Moggridge's involvement with the band developing, growing and getting more elaborate. This , produced by Randall Dunn (Sunn O))), Wolves In The Throne Room, Anna Von Hausswolff), follows up Bell Witch's colossal Mirror Reaper opus with Moggrdige actually being involved in the creative and writing process with the band duo of Dylan Desmond (bass / vocals) and Jesse Shreibman (drums / synthesizers / vocals). Not only does Stygian Bough expand and broaden this alliance between the artists, but with Aerial Ruin contributing to the songwriting of this dedicated collaboration and incorporating his signature and alluring style of emotionally-driven folk, along with taking the lead vocal position, adding to the band's caliber of unearthly towering doom, this album becomes it's own singular, unparalleled doom metal entity.
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- GenreRockDescriptionThe debut collaboration album from doom metal giants Bell Witch and Aerial Ruin (the solo folk project of singer / songwriter Erik Moggridge), under the moniker of Stygian Bough is a culmination of the work of both artists as witnessed previously on Bell Witch's three full-length albums, where Moggrdige has contributed guest vocals. With each succeeding Bell Witch , one has seen Moggridge's involvement with the band developing, growing and getting more elaborate. This , produced by Randall Dunn (Sunn O))), Wolves In The Throne Room, Anna Von Hausswolff), follows up Bell Witch's colossal Mirror Reaper opus with Moggrdige actually being involved in the creative and writing process with the band duo of Dylan Desmond (bass / vocals) and Jesse Shreibman (drums / synthesizers / vocals). Not only does Stygian Bough expand and broaden this alliance between the artists, but with Aerial Ruin contributing to the songwriting of this dedicated collaboration and incorporating his signature and alluring style of emotionally-driven folk, along with taking the lead vocal position, adding to the band's caliber of unearthly towering doom, this album becomes it's own singular, unparalleled doom metal entity.ArtistBELL WITCH / AERIAL RUINTitleStygian Bough Volume IFormatVINYLLabelProfound Lore
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The debut collaboration album from doom metal giants Bell Witch and Aerial Ruin (the solo folk project of singer / songwriter Erik Moggridge), under the moniker of Stygian Bough is a culmination of the work of both artists as witnessed previously on Bell Witch's three full-length albums, where Moggrdige has contributed guest vocals. With each succeeding Bell Witch , one has seen Moggridge's involvement with the band developing, growing and getting more elaborate. This , produced by Randall Dunn (Sunn O))), Wolves In The Throne Room, Anna Von Hausswolff), follows up Bell Witch's colossal Mirror Reaper opus with Moggrdige actually being involved in the creative and writing process with the band duo of Dylan Desmond (bass / vocals) and Jesse Shreibman (drums / synthesizers / vocals). Not only does Stygian Bough expand and broaden this alliance between the artists, but with Aerial Ruin contributing to the songwriting of this dedicated collaboration and incorporating his signature and alluring style of emotionally-driven folk, along with taking the lead vocal position, adding to the band's caliber of unearthly towering doom, this album becomes it's own singular, unparalleled doom metal entity.

On Stygian Bough Volume II, the collaboration between Bell Witch (Dylan Desmond, Jesse Shreibman) and Aerial Ruin (Erik Moggridge) enlivens it's unbodied presence resembling both collaborating projects as a conduit in it's own separate entity. In the course of an hour, four musical pieces set themselves apart from the catalogs of both individual bands and branch into new territory all the while threaded to the original encounter. Over the album a cyclical world unfolds in which different perspectives of how various forms of worship empower, eclipse, destroy and feed on each other is explored.InchWaves Became The Sky,Inch the opening track on Volume II, recalls InchRows (Of Endless Waves)Inch from Bell Witch's debut album Longing. It was here that Bell Witch and Aerial Ruin had initial contact, while InchKing Of The Wood,Inch quickly lurks into an abyss death-doom fans of Thergothon and My Dying Bride will find familiarity in. Track three, InchFrom Dominion,Inch opens to the power trio resembling the elements of Aerial Ruin's dark folk temperaments. With a voice one can imagine emerging from some forgotten dimension in ancient Albion, Moggridge pulls thread as much enchantment as song. InchThe Told And The Leadened,Inch the album's closer and longest track clocking in at just over nineteen minutes, is about the cycles of power and how they eclipse and prop each other up.The result is a commanding four songs steeped in mysticism, legend, and the examination of the connective threads that shape and influence the culture, mythology, and customs of all human societies throughout time in unique, localized ways.

*BACK IN PRINT!!! Note new price. Bell Witch's Mirror Reaper is one of the best metal albums of 2017. A single monolithic track, it pays tribute to the band's former drummer Adrian Guerra, who tragically passed away in 2016. The band initially made their presence known in the US doom scene with a well-received demo in 2011. At thirty-seven minutes, this recording is a massive statement of purpose which far-eclipsed the InchdemoInch status implied by it's name. It was recorded by Brandon Fitzsimons (Wormwood), the same engineer behind the band's first effort, Longing. Demo 2011 showcases Bell Witch's heavy-yet-minimalist sound now lauded as timeless, relevant and undeniably sorrowful. The Flenser is proud to unleash this new pressing of a classic moment in contemporary US doom with artwork by the band's own Adrian Guerra (RIP). InchBell Witch turns funeral doom and it's moribund focus into a beautiful hymn.Inch -Pitchfork InchBell Witch have an uncanny ability to make their metal feel ancient, spiritual, even liturgical.Inch -Tiny Mix Tapes

ATW All Them Witches ATW is the fifth studio album by American psychedelic rock band All Them Witches. Produced by Ben McLeod. Recorded by Grant Husselman. Keys by Jonathan Draper. Celebrate the end of 2024 with exclusive color variants from New West. All titles have been backordered or out of stock. These are all limited edition, one time color pressings. Get 'em while you can.
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