Billy Joel - Live At Shea Stadium - COMPACT DISCS [CD]

Billy Joel 52nd Street on Numbered Edition Hybrid SACDMainstream Perfection Melodic Devices, Passionate Singing, Sophisticated Arrangements, Jazzy Backdrop Walk Down 52nd StreetSome artists embrace their success by repeating the steps that originally granted them fame. Billy Joel did the opposite, refusing to be contained by prescribed approaches or constrained by a given tag. The follow-up to the breakthrough The Stranger, 52nd Street further expands on it's predecessor's bold production techniques and inventive arrangements, incorporating more sophisticated textures as well as reflecting a jazz edge gleaned from New York City's thriving club scene.52nd Street is mastered from the original master tapes and made available on transparent hybrid SACD. The wider and deeper grooves - as well as the meticulous mastering process - yield resplendent dynamics, broad soundstages, three-dimensional perspectives, and tonal balances absent from prior editions. Indeed, Joel wouldn't sound more realistic if were playing ten rows away from you onstage. This is how you want to experience the 1978 LP that captured the Grammy Award for Album of the Year.Teaming again with producer Phil Ramone, Joel capitalizes on his momentum, churning out another direct-sounding affair replete with captivating melodic devices, showmanship accents, and penetrating lyrics. The singer's concision and focus is evident via the tune's lengths, with only 'Until the Night' breaking the six-minute mark. Hit singles 'Big Shot' and 'My Life' rattle forth with an urgency and intensity that Joel had not previously demonstrated, the combination of passionate deliveries, snide overtones, and insistent grooves setting the table for what follows.Broadening his palette, and drawing from New York's thriving jazz club scene and the city's late-70s grit, Joel splashes Latin and jazz colors on several pieces - even employ

'Joel's Breakthrough Record Loaded With Smash Hits 'Movin' Out (Anthony's Song), Just the Way You Are, Only the Good Die Young, She's Always a Woman'. Billy Joel entered 1977 with a great track record but in need of a breakthrough. Pairing with producer Phil Ramone (Carly Simon, Simon & Garfunkel), who developed the requisite ingredients missing from Joel's formula, the singer-songwriter became a household name and chart-topping success courtesy of The Stranger. Ranked 67 on Rolling Stone's list of the 500 Greatest Albums of All Time and certified ten-times platinum, Joel's artistic and commercial smash remains a pop-rock benchmark. Better still, it now sounds astonishing. An integral part of Mobile Fidelity's Billy Joel catalog restoration series, The Stranger is mastered from the original master tapes and made available on transparent hybrid SACD. Far superior to previous reissues, this edition emphasizes the crucial touches and insightful techniques Ramone brought to a batch of material that ranks among Joel's most clever, catchy, and sagacious. Whereas a handful of Joel's preceding efforts feature a near-flawless mix of melodic arrangements and poignant lyrics, the aspects he sought in order to graduate into a more serious artist arrive here via Ramone's more muscular, fleshed-out, and rock-enabling production. The streamlined approach slightly strips back the sweeping developments heard on Piano Man and Turnstiles, and on this edition, lays bare the core of the material, allowing the vocalist's bittersweet yearning, rollicking 88 notes, and working-class conviction to emanate with full-bodied detail, vivid color, and grand-scale dynamics. A Grammy winner for both Record and Song of the Year, 'Just the Way You Are' epitomizes Joel's balladic reach, his ability to transfer wistful sentiments and lovelorn emotions. He also flashes a mean streak. The animated 'Only

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out