Biohazard - Mata Leao - COMPACT DISCS [CD]

BIOHAZARD / DIVIDED WE FALL - CD - Brooklyn hardcore legends BIOHAZARD return in 2025 with Divided We Fall - their first studio album in over a decade and a triumphant reunion of the band's classic original lineup. The result is a crushing and timely collection of tracks that strike hard and speak louder than ever. Produced by Matt Hyde (Slayer, Hatebreed, Deftones), Divided We Fall captures the raw intensity that defined Biohazard's early years while confronting the fractured realities of modern life. Their unmistakable blend of hardcore, metal, and urban groove hits with renewed purpose - a sonic call to arms for unity in chaos. From the rebellious fury of F**k the System and the inner struggle of War Inside Me, to the defiant closer Warriors, the album channels rage, resistance, and resilience. Each track delivers relentless riffs, crushing rhythms, and the street-level authenticity that has always set Biohazard apart. Divided We Fall is more than a comeback - it's a mission statement. A reminder that in a world increasingly divided, music still has the power to unify, inspire, and ignite.

Los Angeles based Chris Murray has pioneered a low-fi, intimate singer/songwriter approach to modern traditional ska music. Originally lead Canadian 90's ska/rock powerhouse King Apparatus on tours all across North America, his studio output over the past 30 years have appeared on Moon NYC, Asian Man, and Ska In The World among others. Thirteen tracks recorded with his acoustic trio full of proven fan favorites, red vinyl repress. Side A 1. The Voice You Never Hear 2. Little Bit Of Love 3. Buckle Up 4. Toothbrush 5. What Will Come 6. Ain't No Joke Bein' Broke 7. Anchor Side B 1. Guns & Gold 2. Forget Your Love 3. When Your Someday Come 4. Ready 5. Heaven 6. Only For You

For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground - creating a new musical language based on Incheternally pretty musicInch and smooth surfaces.In the early '70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music InchThe Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.InchProduced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich's Music For 18 Musicians. Budd's gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture.The Pavilion Of Dreams was both the final on Eno's Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.