Black Eyed Sons - Cowboys In Pinstriped Suits - VINYL LP

Globally beloved Australian trio Sons of the East have announced their highly anticipated second album, SONS, due out June 13 via MGM (Metropolitan Groove Merchants). Sons of the East - Jack Rollins (vocals, guitar), Nic Johnston (vocals, keys) and Dan Wallage (guitar, banjo) - originally hail from Sydney's Northern Beaches, but their unmistakable sound has carried them to every corner of the globe. Blending folk, blues, soul, and classic country, their music channels the raw vulnerability of Townes Van Zandt and Gram Parsons, combined with the soaring harmonies of Crosby, Stills & Nash and The Avett Brothers. Known for their deft songwriting and a palpable sense of joy that runs through every note, they've built a career on both timeless recordings and legendary live shows - the kind that leave audiences singing along.Their rise has been nothing short of remarkable - with over 700 million streams, 75 million YouTube views, and more than 100,000 headline tickets sold - all achieved completely independently. In the two years since releasing their debut album Palomar Parade (now nearing 100 million streams), Sons of the East have played sold-out shows across the globe, from London's O2 Shepherd's Bush Empire to The Troubadour in LA, Music Hall of Williamsburg in New York, and Sala Apolo in Barcelona. With SONS, they keep that momentum going, capturing the intimacy and euphoria that have become their signature.

Cowboy Junkies - Black Eyed Man [VINYL LP] Canada - Import date 09/14/2018

Everyday Is The Song is Joni Void's third album for Constellation and a deeper plunge into emotive audio montage; the Montréal-based French-British producer calls it InchTape Vortex / Musique Verité / Memory CollageInch. The album's raw material relies centrally on a Walkman bought at local record shop Death Of Vinyl in spring 2020 and lost at a Backxwash show two years later, but not before hours of audio snippets were captured and archived. Everyday Is The Song is an evocative sample-based sonic diary brimming with warmth, transience and hyper-specificity where Void explores a more abstract and interstitial terrain of drifting miniatures. It remains very much a collection of songs, but relative to the more assertive and intensive tracks channeling explorations of traumatic interiority on their previous pair of acclaimed LPs, Void's new album flows with intentional lightness and a more incidental atmosphere. Songs are constructed from audio recordings made all over and often while literally on the move walking, cycling and skateboarding around the city; in bus and train stations; from car windows. The album's overt musical material was recorded, often spontaneously and informally, in all sorts of jam spaces, living rooms and at local live shows. Perambulation is a central theme and constituent fabric of Everyday Is The Song, carrying with it a colloquial spirit of gentle, intrinsic sentimentality. The self-proclaimed Inchlove, soul, agency, and whimsyInch virtues of Ruby Yacht (R.A.P. Ferreira, Pink Navel, et al) have also been a lodestar for Void in this respect. As Sasha Geffen writes in their glowing 8.0 Pitchfork review of Joni Void's last album Mise en Abyme (2019) InchThere is still experience that can't be atomized and analyzed, however slippery it may be even to those feeling it; [Void] hunts that sensation of flux and liminality, unearthing warmth in a lan