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When Chris Stewart set out to write and record his third album as Black Marble, he was newly living in Los Angeles, fresh o a move from New York. The environment brought much excitement and possibility, but the distance had proved too much for the car he brought along. With it out of commission indefinitely, he purchased a bus pass and planned his daily commute from his Echo Park apart- ment to his downtown studio, where he began to shape Bigger Than Life. The route wound all through the city, from the small local shops of Echo Park to the rising glass of the business district, to the desperation of Skid Row. The hurried energy of the environment provided a backdrop for the daily trip. When Stewart finally arrived at his studio, he'd look through his window at the mountains and the sky, seeing the beauty that makes L.A. unique - the same beauty his fellow commuters, some pushed to the edge of human endurance, had seen. That was the headspace he was in when he began to map out the syncopated drums and staccato arpeggiation of Bigger Than Life, an ode to his new condition and a shim- mering synth-pop response to it's cacophony. As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it lie to his synths - only using the computer to record, not to create. InchI try new approaches every time, which helps me stay engaged but also it's kind of a trick I play on the creative side of my brain,Inch Stewart says. InchKeeping one side of my mind busy on organizational creativity I think frees up the other side where the inspirational creativity comes from.Inch Album Tracks 1. Never Tell 2. One Eye Open 3. Daily Driver 4. Feels 5. The Usual 6. Grey Eyeliner 7. Bigger Than Life 8. Private
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When Chris Stewart set out to write and record his third album as Black Marble, he was newly living in Los Angeles, fresh o a move from New York. The environment brought much excitement and possibility, but the distance had proved too much for the car he brought along. With it out of commission indefinitely, he purchased a bus pass and planned his daily commute from his Echo Park apart- ment to his downtown studio, where he began to shape Bigger Than Life. The route wound all through the city, from the small local shops of Echo Park to the rising glass of the business district, to the desperation of Skid Row. The hurried energy of the environment provided a backdrop for the daily trip. When Stewart finally arrived at his studio, he'd look through his window at the mountains and the sky, seeing the beauty that makes L.A. unique - the same beauty his fellow commuters, some pushed to the edge of human endurance, had seen. That was the headspace he was in when he began to map out the syncopated drums and staccato arpeggiation of Bigger Than Life, an ode to his new condition and a shim- mering synth-pop response to it's cacophony. As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it lie to his synths - only using the computer to record, not to create. InchI try new approaches every time, which helps me stay engaged but also it's kind of a trick I play on the creative side of my brain,Inch Stewart says. InchKeeping one side of my mind busy on organizational creativity I think frees up the other side where the inspirational creativity comes from.Inch Album Tracks 1. Never Tell 2. One Eye Open 3. Daily Driver 4. Feels 5. The Usual 6. Grey Eyeliner 7. Bigger Than Life 8. Private

Limited 180gm vinyl LP pressing in gatefold jacket. The 50th anniversary edition of the original studio album remastered by James Guthrie comes in a gatefold jacket with posters and stickers. Album Tracks 1. Speak to Me 2. Breathe (In the Air) 3. On the Run 4. Time 5. The Great Gig in the Sky 1. Money 2. Us and Them 3. Any Colour You Like 4. Brain Damage 5. Eclipse

Aerosmith - InchGreatest HitsInch - THE ULTIMATE GREATEST HITS CELEBRATING 50 YEARS OF AEROSMITH! 20 tracks spanning their five-decade career on standard weight black vinyl (2 LP). Featuring InchDream On,Inch InchWalk This Way,Inch InchSweet Emotion,Inch InchCrazy,Inch InchCryin',Inch InchI Don't Want To Miss A ThingInch and many more! Album Tracks 1. Mama Kin 2. Dream on 3. Same Old Song and Dance 4. Seasons of Wither 5. Walk This Way 1. Sweet Emotion 2. Back in the Saddle 3. Draw the Line 4. Dude (Looks Like a Lady) 5. Angel 1. Rag Doll [Live] 2. Water Song/Janie's Got a Gun 3. What It Takes 4. Love in An Elevator 5. Crazy 1. Livin' on the Edge 2. Cryin' 3. Pink 4. I Don't Want to Miss a Thing 5. Jaded
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