Black Royal - EARTHBOUND - VINYL LP

Arriving as a standout group in the current American shoegaze renaissance, Phoenix four-piece Glixen transcend all expectations of what the genre should currently look and sound like. The band creates a profoundly heavy sonic experience with their music, paying respects to their predecessors but resulting in something completely modern. An amalgamation of influences like Björk, My Bloody Valentine, Godflesh, t.A.T.u, and Hum, their sound crawls with intensity and introspection to contrast lead singer Aislinn Ritchie's lulling vocals.In 2024, the band released Inchlust,Inch Inchforeversoon,Inch and Inchsick silentInch beginning to preview what the upcoming Sonny DiPerri (My Bloody Valentine, DIIV) produced Inchquiet pleasuresInch EP will sound like.Glixen has had a massive 2024! From playing SXSW and Treefort Festival to supporting genre stalwarts like Interpol, DIIV, Nothing., Tanukichan, Turnover and Glare, Glitterer, Softcult and Fish Narc, they've played to packed crowds across the United States. The run continues in 2025 with their first ever headlining North American tour with support from contemporaries she's green and Suzy Clue. InchA crucial contributor to the ongoing American shoegaze renaissance.Inch - STEREOGUMInchListening to the guitars is akin to the feeling of being squeezed from above, a slow dreamlike compression.Inch - THE FADERInchTowering, sensual shoegaze.Inch - ALTERNATIVE PRESS

Hancock started his career with trumpet player Donald Byrd's group. He recorded his first solo album Takin' Off for Blue Note Records in 1962. InchWatermelon ManInch (from Takin' Off) was to provide Mongo Santamaría with a hit single, but more importantly for Hancock, Takin' Off caught the attention of Miles Davis, who was at that time assembling a new band. Hancock was introduced to Davis by the young drummer Tony Williams, a member of the new band.Hancock received considerable attention when, in May 1963, he joined Davis's Second Great Quintet. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz. The rhythm section Davis organized was young but effective, comprising bassist Ron Carter, 17-year-old drummer Williams, and Hancock on piano. After George Coleman and Sam Rivers each took a turn at the saxophone spot, the quintet gelled with Wayne Shorter on tenor saxophone. This quintet is often regarded as one of the finest jazz ensembles yet. While in Davis's band, Hancock also found time to record dozens of sessions for the Blue Note tag, both under his own name and as a sideman with other musiciansHancock also recorded several less well-known but still critically acclaimed albums with larger ensembles - My Point of View (1963), Speak Like a Child (1968) and The Prisoner (1969), albums which featured flugelhorn, alto flute and bass trombone in addition to the traditional jazz instrumentation. 1963's Inventions and Dimensions was an album of almost entirely improvised music, teaming Hancock with bassist Paul Chambers and two Latin percussionists, Willie Bobo and Osvaldo InchChihuahuaInch Martinez.During this period, Hancock also composed the score to Michelangelo Antonioni's film Blowup (1966), the first of many film soundtracks he recorded in his career. As well as feature film soundtracks, Hancock recorded a number of musical

Grand Theft Auto VI: The Album on clear pink with purple splatter vinyl. The 2LP, gatefold jacket includes a Best Buy exclusive 12x24 poster. Atlantic Records and Rockstar Games announce Grand Theft Auto VI: The Album, the upcoming official soundtrack album from the biggest, most immersive evolution of the groundbreaking Grand Theft Auto series yet; Grand Theft Auto VI. Launching November 19 alongside the hotly anticipated game, Grand Theft Auto VI: The Album features 34 original tracks that capture the electric energy of Grand Theft Auto VI’s world of Vice City and Leonida, with a genre-defying roster of the most exciting and preeminent artists in the world.