Black / Stemeseder / Morgan - Reckon - COMPACT DISCS [CD]
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About This Item
- Details
- Genre: Classical
- Description: The Chicago Reader describes the Jim Black Trio with Thomas Morgan and Elias Stemeseder Inchone of the best bands in Jim Black's busy careerInch. In the HardStudios Winterthur the trio recorded this new album over two days. It is their fourth album as a trio and their second on Intakt Records. Drummer Jim Black has one of the most immediately recognizable styles in Jazz - his wonderful unhinged playing bears the mark of the rock backbeat, but he adds a clanking disruptive quality that forces his collaborators to sharpen their reflexes. InchThey find their own spaceInch, writes Kevin Whitehead in the liner notes. InchStemeseder is an original. It's not that he never backstops a right-hand melody with left-hand chords - he just does it less than most jazz pianists. He can feather the pedals or get stabby percussive, but never over-plays. The space he leaves around the piano's sound is an invitation he creates room. Like Stemeseder, Thomas Morgan has the confidence to do nothing where another accompanist might fill all the holes. His bass tone is ringing and clear, his attack has propulsive bite, and his lines sing. He provides a through-line when the other guys fracture.Inch
- Artist: BLACK / STEMESEDER / MORGAN
- Title: Reckon
- Format: CD
- Label: Intakt Records
- Release Date: 01/17/2020
- Genre: Classical
- Number Of Discs: 1
- Other
- Product Name: Black / Stemeseder / Morgan - Reckon - COMPACT DISCS
- UPC: 7640120193348
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The Chicago Reader describes the Jim Black Trio with Thomas Morgan and Elias Stemeseder Inchone of the best bands in Jim Black's busy careerInch. In the HardStudios Winterthur the trio recorded this new album over two days. It is their fourth album as a trio and their second on Intakt Records. Drummer Jim Black has one of the most immediately recognizable styles in Jazz - his wonderful unhinged playing bears the mark of the rock backbeat, but he adds a clanking disruptive quality that forces his collaborators to sharpen their reflexes. InchThey find their own spaceInch, writes Kevin Whitehead in the liner notes. InchStemeseder is an original. It's not that he never backstops a right-hand melody with left-hand chords - he just does it less than most jazz pianists. He can feather the pedals or get stabby percussive, but never over-plays. The space he leaves around the piano's sound is an invitation he creates room. Like Stemeseder, Thomas Morgan has the confidence to do nothing where another accompanist might fill all the holes. His bass tone is ringing and clear, his attack has propulsive bite, and his lines sing. He provides a through-line when the other guys fracture.Inch
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