Blue States - Where the Fades Meet - Gold Vinyl - VINYL LP

Originally released in 2012, Light Up Gold is being made available via Rough Trade Records on November 28, 2025.Light Up Gold - Parquet Courts first proper LP - is a dynamic and diverse foray into the back alleys of the American DIY underground. Bright guitars swirl serpentine over looping, groovy post-punk bass lines and drums that border on robotic precision. While the initial rawness of the band's early output remains, the songwriting has gracefully evolved. Primary wordsmiths A. Savage and Austin Brown combine for a dynamic lyrical experience, one part an erudite overflow of ideas, the other an exercise in laid-back observation. Lyrically dense, the poetry is in how it flows along with the melody, often times as locked-in as the rhythm section.InchThis record is for the over-socialized victims of the 1990's 'you can be anything you want', Nickelodeon-induced lethargy that ran away from home not out of any wide-eyed big city daydream, but just out of a subconscious return to America's scandalous origin, Inch writes Savage in the album's scratched-out liner notes. Recorded in an ice-box practice space, Light Up Gold is equally indebted to Krautrock, The Fall, and a slew of contemporaries like Tyvek and Eddy Current Suppression Ring.Though made up of Texan transplants, Parquet Courts are a New York band. Throw out the countless shallow Brooklyn bands of the blasé 2000's Light Up Gold is a conscious effort to draw from the rich culture of the city - the bands like Sonic Youth, Bob Dylan, and the Velvet Underground that are not from New York, but of it. A panoramic landscape of dilapidated corner-stores and crowded apartments is superimposed over bare-bones Americana, leaving little room for romance or sentiment. It's punk, it's American, it's New York... it's the color of something you were looking for.

Bongolian - Harlem Hipshake [COMPACT DISCS] date 01/08/2021

The 19th-century reclamation of Bach's music, spearhead by Mendelssohn and then Schumann, was later to be further developed most famously by Ferruccio Busoni. However, another key figure was composer and organist Joseph Rheinberger, whose arrangement for two pianos of the Goldberg Variations was made in the spring of 1883. Noting that the work had been 'the object more of theoretical appreciation than musical performance' Rheinberger sought to clarify it's imitative polyphony and where he felt it necessary, added new parts of his own writing to the original score, to create a viable Bach-Rheinberger composition.