Bob Dylan - Desire (MOV Transition) - VINYL LP

Vinyl LP pressing. Brendan Canning is the co-founder of the Toronto supergroup Broken Social Scene that includes members of Metric, Do Make Say Think, Stars, as well as Grammy-nominated Feist. One of the most enduring and influential alternative bands of the 00s. Their record 'You Forgot It In People' defined the Inchindie rockInch era and paved the way for Canadian acts like Arcade Fire and Wolf Parade to break out. Canning's third solo album, 'Home Wrecking Years', is his first with a full band since Broken Social Scene's 2010 'Forgiveness Rock Record'. 'Home Wrecking Years' is backyard barbecue-ready indie album with heavy summertime vibes. Smart and breezy 4-minute pop tunes that run the gamut from 90s-era college rock to tropical baroque pop.

2025 . Produced by Gene Walker and mixed by Andy Wallace and Dan Malsch, Ghost's sixth psalm, Skeletá, is it's most unflinchingly introspective work to date. Where previous albums dealt largely with chronicling and/or observing outward facing subject matter - such as IMPERA's meditations on the rise and fall of empires and it's predecessor Prequelle's evocations of the ravages of era-defining plagues - Skeletá's lyrics render the distinct individual emotional vistas of each of it's 10 songs in one-on-one fashion, at times as if in a dialogue with oneself in a mirror. The end result is a singular collection of timeless, universal sentiments, all filtered through a prism of a uniquely personal point of view.

Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's restored 180g mono 45RPM analog version brings the contents of this seminal as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness-the Inchhusk and barkInch to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears. As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features n