Bobby Edge - Algorithm And Blues - VINYL LP

Occasionally, records are released which are an instant game changer albums so profoundly innovative and compelling in their conception, construction and delivery that they are immediately essential. InchThe Stone House SessionsInch is just such a . And it was recorded live in the studio with no overdubs and completely improvised, with no music written down or rehearsedThe album features two of today's most original, ingenious and decidedly Inchrisk takingInch electric guitar proponents, easily among the instrument's most vital new voices the UK's Mark Wingfield (Jane Chapman; solo artist, and; one half of the long-running guitar duo, with acoustic maestro, Kevin Kastning), and Germany's Markus Reuter (Stick Men; The Crimson ProjeKct; Centrozoon). Each, in their own unique way, has been stretching the bounds of the tonal and textural limitations of the instrument, and, in the process, has respectively developed their own individual techniques, stylistic approaches and idiosyncratic vocabularies.Accompanied by the sure-footed foundational tandem of the Israeli-born UK transplants, bassist Yaron Stavi (David Gilmour, Phil Manzanera, Robert Wyatt, Richard Galliano) and drummer Asaf Sirkis (Tim Garland, Mark Wingfield, Nicolas Meier) - a familiar pair, who by all appearances are more than capable of making most anything groove infectiously, and in perfect cadence - the album incorporates many of the elements which have drawn listeners to progressive music for decades. Not only is the album often a canvas hosting a grand experiment in spontaneous group interaction, but it is also an exploration into the tonal and textural possibilities of all the instruments involved. The resulting picture which takes shape is one where the whole is much greater than the sum of it's profound parts, and emotion, above all, emerges victorious.There is a pervasive sort of Inchthumb your no

Gilead Media is stoked to finally present To the Rind, the debut full-length recording from New Orleans project Big Garden. Through a heavy dose of 90's alt & indie inspiration, the band has crafted powerful ear-worms of riffs and reverb, heavy on melody and impassioned songwriting. An album unique in the present day that scratches an itch deep in your music listening soul.Songwriter Mitch Wells started Big Garden during the height of the Covid pandemic as a quarantine outlet, a personal project to focus on during a troublesome time. As the world began to recover Wells brought his long-time bandmate from sludge/doom band Thou, Matthew Thudium, on board to contribute vocals and guitar for the band. Big Garden is now a full 5-piece band with the addition of Greg Manson (bass/synth), Ian Paine-Jesam (drums/percussion), and Craig Oubre (guitar/vocals) to flesh out the lineup.To the Rind is a wonderful love letter to, and evolution from, the great grungy, gazey, riffy, mathy, and spacey sounds of the past carried through a modernized songwriting approach. Wells' lyrics broach heavy personal topics familiar to so many of us. The ends of relationships, the anxiety of change, and wondering Inchcan I start over? Do I deserve a chance to start over?Inch And coming to face the fear of failure and the depression that surrounds it all. Big Garden was founded as the channel for these complicated feelings.InchTurns out writing songs is a great way to work through some stuff. It doesn't fix anything, but it sorta lays it all out there.InchAnd horror movies of course, you gotta write some tunes about horror movies.1. A Sliced Up Pear2. My Joy / Little Bliss3. Borrowing, Taking4. Memory of the Mountain5. Pizza Party Baby6. Crown Shyness7. Wedding of the Sentry8. I'm Scared of the Ocean9. Stars, Planets, Dust, Us10. Tension Loop

ZZK Records presents Mito y Comadre's Guajirando, a journey into the reinvention of traditional Venezuelan musicFor years the ancestral riches of the folklore, culture and traditions of the indigenous peoples of Latin America have withstood the passing of time and the different impositions and trends of an increasingly globalized world that seems intent on pushing them into oblivion. Their fight to stay true to their roots and preserve their legacy means there is more and more interest in sharing these treasures with the world. Guajirando comes from this interest in finding recognition in our roots. This is the debut record from Mito y Comadre, the Venezuelan synth-pop and electronic roots group who with these nine previously unreleased songs take us on a journey through the sights and sounds of their country. The fusion of electronic sounds pays homage to a rarely explored music, one that is profoundly rooted in the territory, creating a dialogue between native percussions and rhythms such as the quitiplás, the malembe and the quichimba of Barlovento, the macizón and perra of the Caribbean coast, the calypso of the heartland, the flauta guajira and the gaita oriental, among other instruments. Backed by machines, electronic elements and the production of Grammy winner Christian Castagno (Bomba Estéreo, Systema Solar, Iggy Pop, Arcade Fire), they seek to bring visibility to these traditional rhythms with contemporary tendencies, creating a visionary fusion that places them on the scene as one of the most promising proponents of experimental Venezuelan music today.