Bock Wimmer Linton-France - Bock Liest Bruckner 1 - COMPACT DISCS [CD]
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The program of this literary reading with music gives us insight into Anton Bruckner's correspondence, beginning with the first three extant letters from the year 1852, during his years in Upper Austria and particularly during his time as the parish organist at Old Cathedral in Linz from 1855 to 1868. The selected writings reveal much about the self-presentation and self-image of the musician and composer who never ceased studying. Lesser-known lieder and piano works by Bruckner allow us audibly to trace the composer's development in the period between 1850 and 1868. In the intertwining of his words with his works, a multifaceted and surprisingly sophisticated yet uncommon image of Bruckner's Inchhidden personalityInch (Elisabeth Maier) is revealed.
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- GenreClassicalDescriptionThe program of this literary reading with music gives us insight into Anton Bruckner's correspondence, beginning with the first three extant letters from the year 1852, during his years in Upper Austria and particularly during his time as the parish organist at Old Cathedral in Linz from 1855 to 1868. The selected writings reveal much about the self-presentation and self-image of the musician and composer who never ceased studying. Lesser-known lieder and piano works by Bruckner allow us audibly to trace the composer's development in the period between 1850 and 1868. In the intertwining of his words with his works, a multifaceted and surprisingly sophisticated yet uncommon image of Bruckner's Inchhidden personalityInch (Elisabeth Maier) is revealed.ArtistBock Wimmer Linton-FranceTitleBock Liest Bruckner 1FormatCDLabelGramola
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After the celebrated start of the series InchBöck reads BrucknerInch provided insights into the Upper Austrian period of life and the composer's self-image, the second reading with music was dedicated, somewhat tongue-in-cheek, to Anton Bruckner's decades-long, clearly unsuccessful search for a wife. Using extant letters to and from them, it introduces some of the ladies earmarked as Bruckner's significant other and thematizes the Inchdownright absurd numbers of rash marriage proposalsInch (Hans-Joachim Hinrichsen) by the eternal bachelor. It likewise introduces letters in which female admirers of the composer, who had meanwhile achieved fame and recognition, made advances at him. Among other selected pieces, the letters are framed and commented on musically by piano pieces and songs with piano accompaniment from the so-called InchKitzler-StudienbuchInch (Kitzler Study Book), which contains works and drafts which show Bruckner on his way to developing his individual style.
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