Bonds / Dessoff Choirs / Bradford - Ballad of the Brown King - COMPACT DISCS [CD]

The French composer Joseph Bodin de Boismortier, unlike his near-contemporary Bach, wrote music, and much of it, that, opposing the profound, inward-looking manner of Bach, exhibits a cheerful, somewhat superficial outlook very much interested in worldly matters of kings and courts. In the end, his efforts paid off handsomely, earning him today's equivalent of two million dollars during his life. His bold idea heard here, one that violated the composing precepts of his age, of scoring sonatas for two melodic instruments, are rounded off by later works of others using the same instrumentation.

With his characteristically deft economy of means, Henri Dutilleux explored the two characteristics of the bassoon that have defined it in popular imagination ever since Mickey Mouse whirled his broom in vain at the climax of Walt Disney's cartoon realization of The Sorcerer's Apprentice despite it's somber title, the Sarabande et Cortège of 1942 encloses both mournfulness and wit. So too, in no less concise terms, does the Sonatina of Tansman from a decade later. Dutilleux's work opens this recital, but the earliest work here dates from two decades previously, the Sonata which captures in a nutshell the effortlessly easy-going charm of Saint-Saëns's late music, composed with all the succinct mastery of expression to be expected of one who had never been short of a good tune for more than seven decades. Hindemith's Sonata of 1938 is briefer still but a much darker work, anchored by a grave march-rhythm second movement which perhaps reflects the troubled times it's composition. The value of Carmen Mainer Martín's personal selection of repertoire lies in it's diversity of styles. Listening to the album should banish forever any notion of the bassoon as a one- or two-note instrument alternating eccentrically between rubicund jollity and doleful introspection. There are three waltzes for solo bassoon by Francisco Mignone, one of the most talented Brazilian composers working in the generation after Villa-Lobos; and to finish, a remarkable set of variations (Ocho variaciones sobre la imagen de un sueño, from 2017) by the Argentinian Alex Dante, born in 1994. This is scored for the unusual combination of bassoon, flute and piano, and dedicated to the two wind-playing sisters on this recording. Born and raised in Spain, Carmen Mainer Martín now lives and works as both a teacher and performer in Paris.

Williams / Price / Lso / Groves - Ballads for Orchestra [COMPACT DISCS] date 02/13/2007