Boogie Belgique - Machine - VINYL LP
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About this product
Double vinyl LP housed in gatefold jacket. Boogie Belgique is the Belgian band founded in 2012 by Oswald Cromheecke. The project grew steadily through word of mouth, and Cromheecke was eventually joined by Emily Van Overstraeten, Cedric Van Overstraeten, Aiko Devriendt, Ambroos de Schepper and Martijn Van Den Broek. This collaborative approach to production gave birth to a new sound that stayed true to the nostalgic flair of the band's beginning. Boogie Belgique's sound is a blend of electronic music and jazz, with hints of Bonobo, Wax Tailor, and Quantic. Varying anywhere between relaxing, intimate moods and energizing, danceable grooves, Boogie Belgique's music is characterized by melancholia, vintage samples and a live big band feel.
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- GenreDance and electronicDescriptionDouble vinyl LP housed in gatefold jacket. Boogie Belgique is the Belgian band founded in 2012 by Oswald Cromheecke. The project grew steadily through word of mouth, and Cromheecke was eventually joined by Emily Van Overstraeten, Cedric Van Overstraeten, Aiko Devriendt, Ambroos de Schepper and Martijn Van Den Broek. This collaborative approach to production gave birth to a new sound that stayed true to the nostalgic flair of the band's beginning. Boogie Belgique's sound is a blend of electronic music and jazz, with hints of Bonobo, Wax Tailor, and Quantic. Varying anywhere between relaxing, intimate moods and energizing, danceable grooves, Boogie Belgique's music is characterized by melancholia, vintage samples and a live big band feel.ArtistBoogie BelgiqueTitleMachineFormatVINYLLabelLe Plan
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Double vinyl LP housed in gatefold jacket. Boogie Belgique is the Belgian band founded in 2012 by Oswald Cromheecke. The project grew steadily through word of mouth, and Cromheecke was eventually joined by Emily Van Overstraeten, Cedric Van Overstraeten, Aiko Devriendt, Ambroos de Schepper and Martijn Van Den Broek. This collaborative approach to production gave birth to a new sound that stayed true to the nostalgic flair of the band's beginning. Boogie Belgique's sound is a blend of electronic music and jazz, with hints of Bonobo, Wax Tailor, and Quantic. Varying anywhere between relaxing, intimate moods and energizing, danceable grooves, Boogie Belgique's music is characterized by melancholia, vintage samples and a live big band feel.
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Mr Bongo reissues, in full for the first time, a pioneering Trinidadian steelband album from 1979. Masterminded by the key and highly influential calypso / soca steelpan player, Len InchBoogsieInch Sharpe, Phase2 showcases Boogsie's innovative fusion of jazz, funk and Caribbean rhythms in stunning style.Dubbed 'the Mozart of Pan' by Wynton Marsalis, Boogsie began playing pan at the age of five and composed his own music by the age of nine years old. Across a long and illustrious career, he has won seven National Panorama Championships in Trinidad and Tobago with his compositions and band, a world Steelband Music Festival with his original compositions InchIn the RainforestInch, and two Notting Hill Panorama Championships with Mangrove Steel Orchestra. Over the years he has also played with Andre Tanker, Lord Shorty, Lord Kitchener, Leston Paul, Clive Zanda, and other amazing Caribbean greats. Len became an arranger for the National Steelband of Trinidad and Tobago and is a cultural ambassador for the country promoting the instrument.Phase2 is built up predominantly of original compositions by Boogsie, alongside a track penned by fellow Trinidadian musician Raf Robertson and an outstanding Trinidadian-disco cover version of Roy Ayers' classic 'Can't You See Me'. Phase II is the name of the band Boogsie started with six of his friends who sought to compose their own music.Drenched in feel-good island-life energy, the eight tracks showcase Boogsie's creative approach to the pan and it's ability to elevate the flavour of a host of genres not usually associated with the instrument.'Can't You See Me' is an underground disco banger that has become highly sought-after. It's no surprise why, with pan injecting Caribbean heat to Ayers' original. When rare groove DJs picked up on it and began playing it in their sets, it introduced Boogsie's talents to a wider audience.Far from
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