BR5-49 - This Is BR5-49 - COMPACT DISCS [CD]

This band's name comes from the phone # of Junior Samples' used car lot on Hee Haw; their sound comes from the ghosts of Nashville's Lower Broadway, and their debut EP, Live from Robert's, came with some of the year's most amazing reviews. Their self-titled full-length covers true classics from the likes of Moon Mullican, Mel Tillis and Graham Parsons as well as showcasing some killer originals. First single/video InchCherokee Boogie,Inch to be serviced to select AAA and alternative formats as well as country outlets.

This new recording from Elizabeth Jordan and the Northern Chamber Orchestra showcases the clarinet's remarkable versatility, featuring music from the 18th, 20th, and 21st centuries. From Johann Melchior Molter's concertos-written for the D clarinet-to Jean Francaix's playful Concerto and Stephen Barlow's evocative Nocturne, the album highlights the instrument's diverse character and expressive range. Francaix's 1967-68 clarinet concerto, initially considered nearly unplayable, is a dazzling display of virtuosity. Described by the composer as an Inchaerobatics display for the ear,Inch it features bright, tonal movements with intricate cadenzas and playful flourishes.Stephen Barlow's Nocturne for Clarinet, Strings, and Marimba (2008) was inspired by a commission from clarinettist Emma Johnson. Not following the traditional concerto form, Barlow was drawn to something more abstract, capturing the clarinet's varied colors and virtuosic capabilities. Describing the piece as a Inchjourney,Inch he likened it to the unpredictable nature of dreams, where logic often gives way to the subconscious. The marimba, first a quiet accompanist and later a dramatic catalyst, engages in a dynamic dialogue with the clarinet, while the strings form an atmospheric landscape, unfolding a narrative that feels fleetingly tangible but never fully explained.Molter's concertos reflect a pivotal moment in the clarinet's history, embracing it's trumpet-like qualities and blending Baroque elegance with early Classical charm.

Beethoven's 16 string quartets occupy a place of honour in the chamber repertoire and, like his nine symphonies and 32 piano sonatas, trace his progression through his creative life. 2020 marks the 250th anniversary of the composer's birth, and Quatuor Ébène is recognising this with an extensive tour, entitled Beethoven Around the World, which runs from Spring 2019 to December 2020. Over that period the French ensemble will give over 120 concerts in a total of 21 countries on six continents, focusing on complete cycles of the quartets from February 2020. Beethoven Around the World encompasses live recordings for Erato, building a complete cycle, made in seven of the world's great cities Vienna (at the Konzerthaus); Philadelphia (Kimmel Center); Tokyo (Suntory Hall); São Paulo (Sala São Paulo); Melbourne (Melbourne Recital Centre); Nairobi, and, with the support of UNESCO, Paris (Philharmonie de Paris). Speaking of the ongoing tour, the members of Quatuor Ébène say InchThis is where Beethoven goes global. The quartets are 16 masterpieces that form an eternally modern artistic canon of unparalleled breadth and depth - they translate the purest humanity into music. In themselves they represent an odyssey, a round-the-world voyage.Inch The players believe that the composer's music Inchtranscends all linguistic, geographical and political borders... Both modern and timeless, it is universal. It cannot be readily classified as Classical or Romantic, as German, or even as Western, but it is music that expresses itself freely and which addresses the audiences of the future rather than it's own time... It can seem complex at first, but everything becomes clear as it's essence emerges.Inch The ensemble also emphasises that InchThe quartet as a genre gives individual players the chance to shine, yet is simultaneously predicated on collaboration and Concord it shows democracy