Bross Townsend - I've Got Music On My Mind - COMPACT DISCS [CD]
Reviews coming soon
About this product
Pianist Bross Townsend was born Bross Elvie Townsend Jr. In October 18, 1933, in Princeton Kentucky. He later moved to Cleveland, Ohio, where he worked with musicians such as Little Jimmy Scott, Wynonie Harris, Gene Ammons, John Coltrane, Memphis Slim, and Jimmy Reed. After relocating to New York City in 1959, he was best known as the pianist with Dakota Staton's band, as well as freelancing around the area with various swinging Jazz artists, such as Carrie Smith, Bubba Brooks, Arvell Shaw, Panama Francis, and countless other legends. He also toured extensively throughout the world, especially Europe and Japan. These recordings mark Bross' sessions as a leader, independently, how he conceptualized his music in the straight ahead Jazz idiom. Immediately soulful and funky, his interpretations are bold and fresh, as well as solidly rhythmic. His partner in crime, bassist Bob Cunningham is present on five of the tracks, with the swinging John Dooley rounding out the rest. Drummers Greg Bandy and Rudy Petschauer keep that grooving beat going, and we get some fiery horns from trumpeter Greg Bobulinski and Swing Masa on saxophones. We get a sample of the Townsend repertoire, everything from Ellington to standards, to Bross' own originals here, rounded out by his usual feature that would always bring down the house, Avery Parrish's After Hours. We are re-releasing this great recording because it was never distributed for retail, just sold at gigs by Townsend himself, and now that Bross is gone (he passed away in 2003), it appears he only had 2 recordings under his own name, this one being essentially self-produced. As a result this remains a truly important piece of work for all true fans of great jazz music to enjoy.
Specifications
- GenreJazzDescriptionPianist Bross Townsend was born Bross Elvie Townsend Jr. In October 18, 1933, in Princeton Kentucky. He later moved to Cleveland, Ohio, where he worked with musicians such as Little Jimmy Scott, Wynonie Harris, Gene Ammons, John Coltrane, Memphis Slim, and Jimmy Reed. After relocating to New York City in 1959, he was best known as the pianist with Dakota Staton's band, as well as freelancing around the area with various swinging Jazz artists, such as Carrie Smith, Bubba Brooks, Arvell Shaw, Panama Francis, and countless other legends. He also toured extensively throughout the world, especially Europe and Japan. These recordings mark Bross' sessions as a leader, independently, how he conceptualized his music in the straight ahead Jazz idiom. Immediately soulful and funky, his interpretations are bold and fresh, as well as solidly rhythmic. His partner in crime, bassist Bob Cunningham is present on five of the tracks, with the swinging John Dooley rounding out the rest. Drummers Greg Bandy and Rudy Petschauer keep that grooving beat going, and we get some fiery horns from trumpeter Greg Bobulinski and Swing Masa on saxophones. We get a sample of the Townsend repertoire, everything from Ellington to standards, to Bross' own originals here, rounded out by his usual feature that would always bring down the house, Avery Parrish's After Hours. We are re-releasing this great recording because it was never distributed for retail, just sold at gigs by Townsend himself, and now that Bross is gone (he passed away in 2003), it appears he only had 2 recordings under his own name, this one being essentially self-produced. As a result this remains a truly important piece of work for all true fans of great jazz music to enjoy.ArtistBross TownsendTitleI've Got Music On My MindFormatCDLabelSquatty Roo Records
Reviews
This product doesn't have any reviews yet.
Compare similar products
![Bross Townsend - I've Got Music On My Mind - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/6db0002b-a27c-4089-8661-eb27f76e9c43.jpg;maxHeight=422;maxWidth=264?format=webp)
Pianist Bross Townsend was born Bross Elvie Townsend Jr. In October 18, 1933, in Princeton Kentucky. He later moved to Cleveland, Ohio, where he worked with musicians such as Little Jimmy Scott, Wynonie Harris, Gene Ammons, John Coltrane, Memphis Slim, and Jimmy Reed. After relocating to New York City in 1959, he was best known as the pianist with Dakota Staton's band, as well as freelancing around the area with various swinging Jazz artists, such as Carrie Smith, Bubba Brooks, Arvell Shaw, Panama Francis, and countless other legends. He also toured extensively throughout the world, especially Europe and Japan. These recordings mark Bross' sessions as a leader, independently, how he conceptualized his music in the straight ahead Jazz idiom. Immediately soulful and funky, his interpretations are bold and fresh, as well as solidly rhythmic. His partner in crime, bassist Bob Cunningham is present on five of the tracks, with the swinging John Dooley rounding out the rest. Drummers Greg Bandy and Rudy Petschauer keep that grooving beat going, and we get some fiery horns from trumpeter Greg Bobulinski and Swing Masa on saxophones. We get a sample of the Townsend repertoire, everything from Ellington to standards, to Bross' own originals here, rounded out by his usual feature that would always bring down the house, Avery Parrish's After Hours. We are re-releasing this great recording because it was never distributed for retail, just sold at gigs by Townsend himself, and now that Bross is gone (he passed away in 2003), it appears he only had 2 recordings under his own name, this one being essentially self-produced. As a result this remains a truly important piece of work for all true fans of great jazz music to enjoy.
![Brandon Ross - Of Sight and Sound - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/6911c18c-2a2d-45fa-bef1-4822cf8d95da.jpg;maxHeight=422;maxWidth=264?format=webp)
Collaborations between artists specializing in different mediums regularly bring out facets and revelations unknown to the participants theretofore. Utilizing sonic and visual elements to stimulate creation, guitarist, conceptualist Brandon Ross and his ensemble, PENDULUM, met Neo Symbolic Abstract painter Ford Crull to generate what Ross calls a sonic mandala on their new recording/multi-media piece, Of Sight and Sound.
![Brandon Ross Phantom Station - Off the End - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/a014d21c-e47a-4d7f-a014-b17eb6915db3.jpg;maxHeight=422;maxWidth=264?format=webp)
So much in the improvisatory arts is determined by the choices of collaborators, environment, and performance goals. Guitarist, composer, and conceptualist Brandon Ross regularly creates situations with other musicians and artists to push their collective creativity to new destinations. The Phantom Station ensemble is a vehicle that Ross returns to with soundesign artist, Hardedge, to embark upon adventurous, uncharted musical journeys. The idea behind Phantom Station was to assemble an Inchindividual-directedInch ensemble that could engage in an open musical discourse and instantaneous music-making without the borders of genre or preconceived musical ideas. One of the results of one of these meetings was recorded at Firehouse 12 in New Haven, Connecticut and is presented as Off The End, a fascinating document of spontaneous creation with an incredible cast of musicians, including cornetist Graham Haynes, keyboardist David Virelles, and drummer JT Lewis.Ross began Phantom Station as a springboard for his creative pursuits with Hardedge, an electronic artist, whose singular soundesign work is employed to generate interactive sound worlds with textures and palettes conceived for the settings or ensembles. Hardedge's electronics thus maximize the sonic and textural possibilities without overextending the size of the ensemble. Additionally, Phantom Station became an open-door invitational sound InchcrucibleInch for a round robin of Ross's wide net of collaborators. In late fall 2021, Ross presented two concerts of Phantom Station, one in New York at the Jazz Gallery and the other at Firehouse 12. The band had slightly different personnel for each show but with the same instrumentation, as Ross wanted to focus on the dynamics between his electric and acoustic guitars, Hardedge's soundesign, and drums along with cornet/electronics and keyboards. Haynes and Ross have known
![Zoot Sims - Brothers - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/d72e3c4d-08b7-4a97-acb0-330aaee682a5.jpg;maxHeight=422;maxWidth=264?format=webp)
Zoot Sims - Brothers [COMPACT DISCS] date 04/13/1990
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.