Bruckner / Harmsen / Mittelhammer - Missa Solemnis - COMPACT DISCS [CD]

I could, if I wanted to, but I don't... This was the alleged response of Anton Bruckner to singer Rosa Papiers question, why he wouldn't compose songs like Johannes Brahms did. Eight songs by Anton Bruckner are academically proven, which - with one exception - were composed during his time and life in St. Florian and Linz. With his latest recording, the distinguished Austrian Bass Robert Holzer devotes himself, along with Thomas Kerbl, piano and conducting, the choir Chorvereinigung Bruckner and the chamber orchestra of the Anton Bruckner private conservatory Linz, to the unjustly neglected songs and the Magnificat by Bruckner. A sensation came about in the year 2015 with the discovery of the song Der Mondabend, with it's world premiere recording being released on this album.

Chorus sine nomine, founded in 1991 by Johannes Hiemetsberger, is one of the most distinguished and innovative concert choirs in Austria. On this CD, the choir presents motets by Anton Bruckner. Bruckner simply called them sacred choruses, as the reason for their composition can usually be traced back to a liturgical occasion. The six works on the CD correspond to such liturgical interludes Graduale (Christus factus est, Locus iste, Os justi, Virga Jesse), Offertorium (Ave Maria) and a hymn for the Good Friday liturgy (Vexilla regis). As an organist, Bruckner was admired above all for his improvisations. He was particularly admired for his high contrapuntal skills, in which he demonstrated his craftsmanship in fugue and imitation. The style of the fugal parts of his improvisations was based on Baroque patterns (such as Handel), while in other, more imaginative parts the tonal language of his organ playing became increasingly typical of Bruckner. Martin Haselbock establishes this connection to Bruckner with his organ improvisations.

Marburger Bachchor - Missa Sanctissimae Trinitatis [COMPACT DISCS] date 11/21/1995