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Brunello Accademia Dell'Annunciata Doni - Concerti E Sonate - COMPACT DISCS [CD]

SKU: 10693621

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To mark the 250th anniversary of the death of Giuseppe Tartini, Mario Brunello and the Accademia dell'Annunciata commemorate one of the great partnerships in the history of eighteenth-century music the relationship between Tartini and Antonio Vandini, a cellist born in Bologna (cradle of the Italian cello school), active in Padua for fifty years, and the author of the first biography of Tartini, whom he had known since the 1720s. Coupled here for the first time are Tartini's two cello concertos, probably intended for his friend and colleague, alongside the only surviving concerto by Vandini himself. According to reports of the period, he 'played in such a way as to make his instrument speak,' that instrument being the violoncello piccolo practiced by the virtuosos of Padua in the mid-eighteenth century, here played by Mario Brunello. The expressive heart of the concertos is to be found in the beautiful slow movements in Tartini the long, eloquent melodic arches create a free inner monologue, while the rich ornamentation recalls folk motifs from the Balkan region, which he may have known. In his marvelous Andantino, Vandini gives the cello a gently symmetrical Vivaldian melody that expands in dialogue with the orchestra. Album Tracks 1. Concerto in D Major for Cello, Strings and Basso Continuo 2. Sonata in G minor for Viola Da Gamba and Basso Continuo 3. Sonata in B Major for Viola Da Gamba and Basso Continuo 4. Sonata a Quattro in D Major GT 5.D01 for Strings 5. Concerto in a Major GT 1.A28 for Cello, Strings and Basso Continuo 6. Concerto in D Major GT 1.D34 for Cello, Orchestra and Basso Continuo 7. Concertone Terzo in C Major for Strings and Basso Continuo

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  • Genre
    Classical
    Description
    To mark the 250th anniversary of the death of Giuseppe Tartini, Mario Brunello and the Accademia dell'Annunciata commemorate one of the great partnerships in the history of eighteenth-century music the relationship between Tartini and Antonio Vandini, a cellist born in Bologna (cradle of the Italian cello school), active in Padua for fifty years, and the author of the first biography of Tartini, whom he had known since the 1720s. Coupled here for the first time are Tartini's two cello concertos, probably intended for his friend and colleague, alongside the only surviving concerto by Vandini himself. According to reports of the period, he 'played in such a way as to make his instrument speak,' that instrument being the violoncello piccolo practiced by the virtuosos of Padua in the mid-eighteenth century, here played by Mario Brunello. The expressive heart of the concertos is to be found in the beautiful slow movements in Tartini the long, eloquent melodic arches create a free inner monologue, while the rich ornamentation recalls folk motifs from the Balkan region, which he may have known. In his marvelous Andantino, Vandini gives the cello a gently symmetrical Vivaldian melody that expands in dialogue with the orchestra. Album Tracks 1. Concerto in D Major for Cello, Strings and Basso Continuo 2. Sonata in G minor for Viola Da Gamba and Basso Continuo 3. Sonata in B Major for Viola Da Gamba and Basso Continuo 4. Sonata a Quattro in D Major GT 5.D01 for Strings 5. Concerto in a Major GT 1.A28 for Cello, Strings and Basso Continuo 6. Concerto in D Major GT 1.D34 for Cello, Orchestra and Basso Continuo 7. Concertone Terzo in C Major for Strings and Basso Continuo
    Artist
    Brunello Accademia Dell'Annunciata Doni
    Title
    Concerti E Sonate
    Format
    CD
    Label
    Arcana Records
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Brunello  Accademia Dell'Annunciata  Doni - Concerti E Sonate   - COMPACT DISCS [CD]
Brunello Accademia Dell'Annunciata Doni - Concerti E Sonate - COMPACT DISCS [CD]

To mark the 250th anniversary of the death of Giuseppe Tartini, Mario Brunello and the Accademia dell'Annunciata commemorate one of the great partnerships in the history of eighteenth-century music the relationship between Tartini and Antonio Vandini, a cellist born in Bologna (cradle of the Italian cello school), active in Padua for fifty years, and the author of the first biography of Tartini, whom he had known since the 1720s. Coupled here for the first time are Tartini's two cello concertos, probably intended for his friend and colleague, alongside the only surviving concerto by Vandini himself. According to reports of the period, he 'played in such a way as to make his instrument speak,' that instrument being the violoncello piccolo practiced by the virtuosos of Padua in the mid-eighteenth century, here played by Mario Brunello. The expressive heart of the concertos is to be found in the beautiful slow movements in Tartini the long, eloquent melodic arches create a free inner monologue, while the rich ornamentation recalls folk motifs from the Balkan region, which he may have known. In his marvelous Andantino, Vandini gives the cello a gently symmetrical Vivaldian melody that expands in dialogue with the orchestra. Album Tracks 1. Concerto in D Major for Cello, Strings and Basso Continuo 2. Sonata in G minor for Viola Da Gamba and Basso Continuo 3. Sonata in B Major for Viola Da Gamba and Basso Continuo 4. Sonata a Quattro in D Major GT 5.D01 for Strings 5. Concerto in a Major GT 1.A28 for Cello, Strings and Basso Continuo 6. Concerto in D Major GT 1.D34 for Cello, Orchestra and Basso Continuo 7. Concertone Terzo in C Major for Strings and Basso Continuo

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