BUTTERFIELD BLUES BAND - Keep On Moving - VINYL LP
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The BUTTERFIELD BLUES BAND Leans into R&B Fervor onthe Brassy Keep on Moving Album Features a HornSection with David Sanborn and Prioritizes the Art ofthe GrooveHear the 1969 Record in Audiophile Sound for theFirst Time Strictly Limited to 3,000 Numbered Copies,Mobile Fidelity's 180g Vinyl LP Plays with DynamicLiveliness and Involving PresenceAnd then there was one. Paul Butterfield stands as the lastremaining original member of his namesake collective on Keep onMoving. It's hard to imagine it being any other way. Picking up whereit left off on In My Own Dream, the BUTTERFIELD BLUES BAND whollyembraces R&B fervor - and indirectly dares any horn-accompaniedensemble of the era to match it's energy, pulse, tightness, and flair.While going all-in on soul with a crack support cast on this 1969 set,Butterfield would pull the plug on the band just two years later. Thegroup's pursuit of funky, bluesy paths carved by rolling bass lines,stacked horns, buttoned-up rhythms, and harmonica blasts almostmakes that decision unthinkable.Sourced from the original analog master tapes, pressed at FidelityRecord Pressing in California, and housed in a Stoughton jacket,Mobile Fidelity's 180g LP makes Keep on Moving available inaudiophile quality. Open, clear, and balanced, it underlines thedynamic liveliness and organic feel of Jerry Ragovoy's production.As well as the palpable chemistry of the sessions recorded at histhen-brand-new Hit Factory studio in New York. The prominenceand positioning of the horn section - comprised of a youngDavid Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson,and Steve Madaio - particularly benefit from the newfoundtransparency and presence. This reissue's quiet surfaces andblack backgrounds also expose key details, accents, and texturesgermane to the music. Keep on moving, indeed.
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- GenreBluesDescriptionThe BUTTERFIELD BLUES BAND Leans into R&B Fervor onthe Brassy Keep on Moving Album Features a HornSection with David Sanborn and Prioritizes the Art ofthe GrooveHear the 1969 Record in Audiophile Sound for theFirst Time Strictly Limited to 3,000 Numbered Copies,Mobile Fidelity's 180g Vinyl LP Plays with DynamicLiveliness and Involving PresenceAnd then there was one. Paul Butterfield stands as the lastremaining original member of his namesake collective on Keep onMoving. It's hard to imagine it being any other way. Picking up whereit left off on In My Own Dream, the BUTTERFIELD BLUES BAND whollyembraces R&B fervor - and indirectly dares any horn-accompaniedensemble of the era to match it's energy, pulse, tightness, and flair.While going all-in on soul with a crack support cast on this 1969 set,Butterfield would pull the plug on the band just two years later. Thegroup's pursuit of funky, bluesy paths carved by rolling bass lines,stacked horns, buttoned-up rhythms, and harmonica blasts almostmakes that decision unthinkable.Sourced from the original analog master tapes, pressed at FidelityRecord Pressing in California, and housed in a Stoughton jacket,Mobile Fidelity's 180g LP makes Keep on Moving available inaudiophile quality. Open, clear, and balanced, it underlines thedynamic liveliness and organic feel of Jerry Ragovoy's production.As well as the palpable chemistry of the sessions recorded at histhen-brand-new Hit Factory studio in New York. The prominenceand positioning of the horn section - comprised of a youngDavid Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson,and Steve Madaio - particularly benefit from the newfoundtransparency and presence. This reissue's quiet surfaces andblack backgrounds also expose key details, accents, and texturesgermane to the music. Keep on moving, indeed.ArtistBUTTERFIELD BLUES BANDTitleKeep On MovingFormatVINYLLabelMobile Fidelity
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The BUTTERFIELD BLUES BAND Leans into R&B Fervor onthe Brassy Keep on Moving Album Features a HornSection with David Sanborn and Prioritizes the Art ofthe GrooveHear the 1969 Record in Audiophile Sound for theFirst Time Strictly Limited to 3,000 Numbered Copies,Mobile Fidelity's 180g Vinyl LP Plays with DynamicLiveliness and Involving PresenceAnd then there was one. Paul Butterfield stands as the lastremaining original member of his namesake collective on Keep onMoving. It's hard to imagine it being any other way. Picking up whereit left off on In My Own Dream, the BUTTERFIELD BLUES BAND whollyembraces R&B fervor - and indirectly dares any horn-accompaniedensemble of the era to match it's energy, pulse, tightness, and flair.While going all-in on soul with a crack support cast on this 1969 set,Butterfield would pull the plug on the band just two years later. Thegroup's pursuit of funky, bluesy paths carved by rolling bass lines,stacked horns, buttoned-up rhythms, and harmonica blasts almostmakes that decision unthinkable.Sourced from the original analog master tapes, pressed at FidelityRecord Pressing in California, and housed in a Stoughton jacket,Mobile Fidelity's 180g LP makes Keep on Moving available inaudiophile quality. Open, clear, and balanced, it underlines thedynamic liveliness and organic feel of Jerry Ragovoy's production.As well as the palpable chemistry of the sessions recorded at histhen-brand-new Hit Factory studio in New York. The prominenceand positioning of the horn section - comprised of a youngDavid Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson,and Steve Madaio - particularly benefit from the newfoundtransparency and presence. This reissue's quiet surfaces andblack backgrounds also expose key details, accents, and texturesgermane to the music. Keep on moving, indeed.
Limited 180gm audiophile vinyl pressing. The deep and swinging groove is what makes Buddy Guy's Slippin' In so wonderful. The album earned Guy the Grammy Award for Best Contemporary Blues Album. Slippin' In was produced and engineered by the great Eddie Kramer, who manned the board for Jimi Hendrix and many others. Guy finds his way back to the blues, with some incredible electric guitar sounds. He was backed by a stellar cast of musicians that included Stevie Ray Vaughan band mates Tommy Shannon, Reese Wynans and Chris Layton. Some absolute blues classics and up-tempo rockers found their way to Buddy's tracklist. He uses the blues in such a fantastic way that everything turns out to be positive. Just listen and you'll hear what the master of blues is doing.
The magnificent and incomparable Muddy Waters performed 3 legendary concerts at the Montreux Jazz Festival throughout the 1970s. Each of these historic concerts were recorded. Muddy Waters name is synonymous with the authenticity, excellence and individuality of the festival and this collection is a celebration of his unique talent. The Montreux Years collection will bring together for the first time, some of the finest moments from Muddy Waters' celebrated performances alongside rare material, unheard since the original recording. Expertly curated by the Montreux Jazz Festival and BMG, restored and remastered in superlative HD audio; The Montreux Years is released on superior audiophile heavy weight vinyl, MQA quality CD and in HD digital. Montreux Media Ventures (MMV) in partnership with BMG are working together to produce and a premium series of albums and activities, curated from the unique Montreux Jazz festival archive; one of the finest music collections in the world. As part of this exciting new joint venture MMV and BMG have commenced work to establish a new series of deluxe artist collections under the new official Montreux Jazz records imprint. These initial collections; The Montreux Years will bring together the most iconic performances from the most significant artists to perform in the festival's impressive five decade history. The collaboration is an unprecedented curation project. The most extensive exploration of the official archive in the festival's history. Expertly curated by the MJF and BMG teams and overseen by Claude Nobs' partner and president of the Claude Nobs foundation, Thierry Amsallem, who will act as executive producer across the series. The Montreux Years series is a celebration of Claude's love of the artists and passion for the festival and are a fitting tribute to his legacy. The BMG and Montreux Jazz music festival design teams w
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