Cabezon / Berben - Du Bon Du Cueur - SUPER-AUDIO CD [Super Audio CD (SACD)]
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After his SACD with works by Joan Cabanilles, which was awarded the InchPreis der deutschen SchallplattenkritikInch, Léon Berben dedicates the new AEOLUS production to one of the most important representatives of Altiber organ music Antonio de Cabezón. The Ostönnen Gothic organ used for the recording is considered to be the oldest in all of Germany. Dendrochronological investigations revealed that the wood from which some of the instrument parts were made must have been felled around 1415. Despite some alterations in the 17th and 18th centuries, the organ was largely preserved in it's original condition. The Dutch harpsichordist and organist, Léon Berben, studied harpsichord and organ in Den Haag (Koninklijk Conservatorium) and Amsterdam (Sweelinck Conservatorium) with Rienk Jiskoot, Bob van Asperen, Ton Koopman and Gustav Leonhardt, and finished his studies with solo-diploma for both instruments. Besides playing the harpsichord and organ, Léon Berben engages in debates on historical performance practice by writing articles and also signs as a co-author for MGG (Musik in Geschichte und Gegenwart). He has now been living since several years in Cologne, Germany. Details 1. Tiento del primer tono 2. Canción glosada Triste départ 3. Diferencias sobre La dama le demanda 4. Himno Ave Maris Stella I 5. Work(s)~Himno Ave Maris Stella II 6. Diferencias sobre El Canto llano del Caballero 7. Ad Dominum cum tribularer 8. Tiento del sexto tono 9. Canción glosada Anchor che col partire (after Cipriano de Rore) 10. Diferencias sobre Quién tu me enojó Isabel 11. Tiento del sexto tono 12. Canción glosada Au joly boys (after Johannes Lupi) 13. Diferencias sobre La Gallarda Milanesa 14. Comunio Beata viscera Mariae 15. Diferencias sobre La Pavana Italiana 16. Tiento del primer tono 17. Tiento del cuarto tono
- GenreClassicalDescriptionAfter his SACD with works by Joan Cabanilles, which was awarded the InchPreis der deutschen SchallplattenkritikInch, Léon Berben dedicates the new AEOLUS production to one of the most important representatives of Altiber organ music Antonio de Cabezón. The Ostönnen Gothic organ used for the recording is considered to be the oldest in all of Germany. Dendrochronological investigations revealed that the wood from which some of the instrument parts were made must have been felled around 1415. Despite some alterations in the 17th and 18th centuries, the organ was largely preserved in it's original condition. The Dutch harpsichordist and organist, Léon Berben, studied harpsichord and organ in Den Haag (Koninklijk Conservatorium) and Amsterdam (Sweelinck Conservatorium) with Rienk Jiskoot, Bob van Asperen, Ton Koopman and Gustav Leonhardt, and finished his studies with solo-diploma for both instruments. Besides playing the harpsichord and organ, Léon Berben engages in debates on historical performance practice by writing articles and also signs as a co-author for MGG (Musik in Geschichte und Gegenwart). He has now been living since several years in Cologne, Germany. Details 1. Tiento del primer tono 2. Canción glosada Triste départ 3. Diferencias sobre La dama le demanda 4. Himno Ave Maris Stella I 5. Work(s)~Himno Ave Maris Stella II 6. Diferencias sobre El Canto llano del Caballero 7. Ad Dominum cum tribularer 8. Tiento del sexto tono 9. Canción glosada Anchor che col partire (after Cipriano de Rore) 10. Diferencias sobre Quién tu me enojó Isabel 11. Tiento del sexto tono 12. Canción glosada Au joly boys (after Johannes Lupi) 13. Diferencias sobre La Gallarda Milanesa 14. Comunio Beata viscera Mariae 15. Diferencias sobre La Pavana Italiana 16. Tiento del primer tono 17. Tiento del cuarto tonoArtistCABEZON / BERBENTitleDu Bon Du CueurFormatSuper Audio CD (SACD)LabelAeolus
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After his SACD with works by Joan Cabanilles, which was awarded the InchPreis der deutschen SchallplattenkritikInch, Léon Berben dedicates the new AEOLUS production to one of the most important representatives of Altiber organ music Antonio de Cabezón. The Ostönnen Gothic organ used for the recording is considered to be the oldest in all of Germany. Dendrochronological investigations revealed that the wood from which some of the instrument parts were made must have been felled around 1415. Despite some alterations in the 17th and 18th centuries, the organ was largely preserved in it's original condition. The Dutch harpsichordist and organist, Léon Berben, studied harpsichord and organ in Den Haag (Koninklijk Conservatorium) and Amsterdam (Sweelinck Conservatorium) with Rienk Jiskoot, Bob van Asperen, Ton Koopman and Gustav Leonhardt, and finished his studies with solo-diploma for both instruments. Besides playing the harpsichord and organ, Léon Berben engages in debates on historical performance practice by writing articles and also signs as a co-author for MGG (Musik in Geschichte und Gegenwart). He has now been living since several years in Cologne, Germany. Details 1. Tiento del primer tono 2. Canción glosada Triste départ 3. Diferencias sobre La dama le demanda 4. Himno Ave Maris Stella I 5. Work(s)~Himno Ave Maris Stella II 6. Diferencias sobre El Canto llano del Caballero 7. Ad Dominum cum tribularer 8. Tiento del sexto tono 9. Canción glosada Anchor che col partire (after Cipriano de Rore) 10. Diferencias sobre Quién tu me enojó Isabel 11. Tiento del sexto tono 12. Canción glosada Au joly boys (after Johannes Lupi) 13. Diferencias sobre La Gallarda Milanesa 14. Comunio Beata viscera Mariae 15. Diferencias sobre La Pavana Italiana 16. Tiento del primer tono 17. Tiento del cuarto tono
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