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Capella de Ministrers - Ritual - COMPACT DISCS [CD]

SKU: 12187799

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The Ritual and the Cycle of Life that shape the repertory of Capella de Ministrers transcend cultural boundaries through the profound common root of the Mediterranean peoples. For centuries this mare nostrum has been a meeting ground, a space of coexistence for Jewish, Sephardic, Arab, Turkish, Greek, and many other communities, who shared languages, customs, and music in a web of exchanges and cross-fertilizations. After the expulsion of the Sephardic Jews from Spain in 1492, their communities maintained and enriched their musical and social traditions in their new settlements around the Mediterranean basin. Out of this arose a musical culture of great richness and diversity, expressed in many tongues-Hebrew, Arabic, Turkish, Bulgarian, Ladino-emblems of coexistence and dialogue among diverse peoples.Music is a universal language, able to convey sorrow, hope, spirituality, and the daily life of those who perform and share it. It is living testimony of collective memory and a tool of social cohesion. When we evoke places such as Casablanca, Salonika, Sofia, Ferrara, Venice, Odessa, Istanbul, Tangier, Algiers, Tunis, Tripoli, Alexandria, Smyrna, or Jerusalem, we are giving voice to a common cultural memory and celebrating the dignity and historical wealth of the peoples of the Mediterranean. This Ritual, born of crossroads and of shared histories, embodies plurality, coexistence, and the integrative force of culture, standing against oblivion, genocide, and exclusion. To honor this legacy is itself an act of historical recognition and a pledge for coexistence, peace, and dialogue among cultures. Album Tracks 1. Adonay Bekol Shofar. Hebreo 2. Tzur Menati. Hebreo/Sefardí 3. Garibat & Al Maya. Marruecos (Instrumental) 4. Oh, Que Mueve Meses. Salónica 5. A la Nana Ya la Buba 6. Reng-E Esfahan (Instrumental) 7. Hamavdil. Hebreo/Sefardí 8. Nani, Nani.

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  • Genre
    Classical
    Description
    The Ritual and the Cycle of Life that shape the repertory of Capella de Ministrers transcend cultural boundaries through the profound common root of the Mediterranean peoples. For centuries this mare nostrum has been a meeting ground, a space of coexistence for Jewish, Sephardic, Arab, Turkish, Greek, and many other communities, who shared languages, customs, and music in a web of exchanges and cross-fertilizations. After the expulsion of the Sephardic Jews from Spain in 1492, their communities maintained and enriched their musical and social traditions in their new settlements around the Mediterranean basin. Out of this arose a musical culture of great richness and diversity, expressed in many tongues-Hebrew, Arabic, Turkish, Bulgarian, Ladino-emblems of coexistence and dialogue among diverse peoples.Music is a universal language, able to convey sorrow, hope, spirituality, and the daily life of those who perform and share it. It is living testimony of collective memory and a tool of social cohesion. When we evoke places such as Casablanca, Salonika, Sofia, Ferrara, Venice, Odessa, Istanbul, Tangier, Algiers, Tunis, Tripoli, Alexandria, Smyrna, or Jerusalem, we are giving voice to a common cultural memory and celebrating the dignity and historical wealth of the peoples of the Mediterranean. This Ritual, born of crossroads and of shared histories, embodies plurality, coexistence, and the integrative force of culture, standing against oblivion, genocide, and exclusion. To honor this legacy is itself an act of historical recognition and a pledge for coexistence, peace, and dialogue among cultures. Album Tracks 1. Adonay Bekol Shofar. Hebreo 2. Tzur Menati. Hebreo/Sefardí 3. Garibat & Al Maya. Marruecos (Instrumental) 4. Oh, Que Mueve Meses. Salónica 5. A la Nana Ya la Buba 6. Reng-E Esfahan (Instrumental) 7. Hamavdil. Hebreo/Sefardí 8. Nani, Nani.
    Artist
    Capella de Ministrers
    Title
    Ritual
    Format
    CD
    Label
    Capella de Ministrer
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Capella de Ministrers - Ritual   - COMPACT DISCS [CD]
Capella de Ministrers - Ritual - COMPACT DISCS [CD]

The Ritual and the Cycle of Life that shape the repertory of Capella de Ministrers transcend cultural boundaries through the profound common root of the Mediterranean peoples. For centuries this mare nostrum has been a meeting ground, a space of coexistence for Jewish, Sephardic, Arab, Turkish, Greek, and many other communities, who shared languages, customs, and music in a web of exchanges and cross-fertilizations. After the expulsion of the Sephardic Jews from Spain in 1492, their communities maintained and enriched their musical and social traditions in their new settlements around the Mediterranean basin. Out of this arose a musical culture of great richness and diversity, expressed in many tongues-Hebrew, Arabic, Turkish, Bulgarian, Ladino-emblems of coexistence and dialogue among diverse peoples.Music is a universal language, able to convey sorrow, hope, spirituality, and the daily life of those who perform and share it. It is living testimony of collective memory and a tool of social cohesion. When we evoke places such as Casablanca, Salonika, Sofia, Ferrara, Venice, Odessa, Istanbul, Tangier, Algiers, Tunis, Tripoli, Alexandria, Smyrna, or Jerusalem, we are giving voice to a common cultural memory and celebrating the dignity and historical wealth of the peoples of the Mediterranean. This Ritual, born of crossroads and of shared histories, embodies plurality, coexistence, and the integrative force of culture, standing against oblivion, genocide, and exclusion. To honor this legacy is itself an act of historical recognition and a pledge for coexistence, peace, and dialogue among cultures. Album Tracks 1. Adonay Bekol Shofar. Hebreo 2. Tzur Menati. Hebreo/Sefardí 3. Garibat & Al Maya. Marruecos (Instrumental) 4. Oh, Que Mueve Meses. Salónica 5. A la Nana Ya la Buba 6. Reng-E Esfahan (Instrumental) 7. Hamavdil. Hebreo/Sefardí 8. Nani, Nani.

Capella de Ministrers - Misteris del Corpus   - COMPACT DISCS [CD]

Soundscape of the Corpus Christi procession in Valencia (17th-18th centuries)The Feast of Corpus Christi, established in 1264 by Pope Urban IV, became one of Valencia's most important and magnificent celebrations. It's origins are tied to a Eucharistic miracle that occurred in Valencian territory-the Miracle of the Corporals of Llutxent-Daroca around 1239. This connection helped Valencia become one of the first cities in the Iberian Peninsula to organize a general Corpus Christi procession, beginning in 1355.By the 17th century, the celebration had evolved into a grand public spectacle, rich in music, theatre, and ritual. On the eve of the feast, a parade called the Cavalcada del Convit invited the populace to participate, while the afternoon featured traditional religious theatre in Valencian (els Misteris) and choreographed dances commissioned for the procession.The main procession was a stunning display involving the whole of Valencian society-from guilds to the highest civic, royal, and ecclesiastical authorities. A rich musical tapestry accompanied every step folk instruments like the dolcainaand tabal, dramatic theatre music, ceremonial city bands, plainchant from clergy, and elaborate polyphony performed by the Cathedral's chapel.In 1672, municipal musician Josep Gomar compiled a manuscript preserving the texts and music of these plays and rituals. Today, this music offers a rare glimpse into the soundscape of baroque Valencia. This concert brings those sounds back to life, allowing audiences to relive the awe and splendor of the city's most cherished feast.Imagine yourself on a Valencian street in the late 1600s, watching and hearing the vibrant procession pass by-an unforgettable journey into the soul of a city's tradition. Album Tracks 1. Repic de campanes i fanfàrria 2. Misteri de sant Christòfol 3. Misteri d'Adam i Eva. Roca de la Santíssima Tri

Capella de Ministrers - Reliquiae   - COMPACT DISCS [CD]

The Christian tradition's liturgical repertoire prominently features Masses and Offices commemorating the life of Christ and feast days of saints. Alongside this, another significant repertoire revolves around Christ and the saints through their relics, which are venerated as physical representations of divine presence. These relics vary in significance, with those tied directly to Christ holding the highest status, followed by those connected to the Virgin Mary, John the Baptist, Apostles, and holy martyrs.A notable private collection of relics belonged to the Byzantine Emperor until 1204, when it was mostly acquired by Louis IX of France, who constructed the Sainte-Chapelle in Paris to house them. Similarly, in the Kingdom of Aragon, relics were venerated in a royal context, with a collection established during the reign of Martin I. This collection included fragments of the Holy Cross, the Holy Grail, and relics of Saint George, which were later deposited in the cathedral of Valencia.This presentation of relics was not only a spiritual practice but also integrated into religious ceremonies, often accompanied by hymns and prayers. Many of these relic-based traditions have been preserved in manuscripts that reflect medieval spirituality, offering a glimpse into the deep connection between relics, music, and devotion. The music associated with these relics, though little known today, is a rich part of the medieval cultural and religious legacy. Album Tracks 1. De Mui Grandes Periglos (Cantiga de Santa María 148) 2. Ben Guarda Santa Maria (Cantiga de Santa María 257) 3. Nostra Phalanx (Codex Calixtinus) 4. Amours, U Trop Tart Me Sui Pris (Chanson À la Vierge) 5. Nos Ad Laudes (Libre de Les Sanctas Reliquies) 6. Salve Sancta Facies (Libre de Les Sanctas Reliquies) 7. Pangat Chorus (Libre de Les Sanctas Reliquies) 8. Gaude Plebs Angelica (Libre de Les

Capella de Ministrers - Elementos   - COMPACT DISCS [CD]

Album Tracks 1. Principio de la Opera.-'Frondosa Apacible Estanzia...' 2. (A Duo)-'Moradores de Estas Playas...' 3. A 4-'Y Asi Le Festejen...' 4. (A Duo).-'Pues Reverentes Aves Le Gorgean...' 5. (A 6)-'La Tierra Con Flores...' 6. Rezitado. Agua-'Y Al Rapido Sonido de Mi Aliento...' 7. (Arioso). Agua-'Olmo Apazible...' 8. Rezitado. Fuego-'Mas Si Fuese la Planta Fugitiva...' 9. Arieta. Fuego-'Fuego Enzendido Sea El Diamante...' 10. A Duo.-'Pues Soy El Agua, Pues Soy El Fuego...' 11. Rezitado/(Arioso a Duo).-'Y Aunque No Aya Materia Combustible...' 12. Rezitado. Ayre-'El Ayre Soy Que Aliento la Armonia...' 13. Arieta Violin Solo. Ayre-'Surque Alaguena la Esfera Dorada...' 14. Rezitado. Tierra-'No Podra Que en Mis Senos Intrincados...' 15. Arieta. Tierra-'De Flores Vestida...' 16. A 4-'En Tan Triste Confusion...' 17. Arieta. Aurora-'Ay Amor, Que Tierna Se Escucha la Respirazion...' 18. Coplas/Estribillo. Tiempo-'Sienta la Tierra...' 19. Rezitado. Fuego-'Mas en la Obscura Noche...' 20. Arieta Violin Solo. Fuego-'Sedienta de Influjos Al Sol Ha Bebido...' 21. A 3.-'Iras Fatales Fulminan...' 22. Rezitado. Tiempo-'Y Aunque Intente la Fatiga...' 23. Arieta Con Violon. Tiempo-'Risuena El Aurora...' 24. Rezitado. Tierra-'Y Pues la Luz Del Dia Que Amaneze...' 25. Arieta. Tierra-'Rompa la Tierra...' 26. A 4 Con Violines-'Y Sus Acordes Fraganzias...' 27. Rezitado. Ayre-'Y Pues Ya Se Desvian los Vapores...' 28. Arieta. Ayre-'En Brazos Del Alva...' 29. Rezitado. Agua-'Deydades Que en El Monte Vipartido...' 30. Arieta. Agua y a 4 'Suenen los Clarines...' 31. Estribillo/Coplas Con Viguela y Violon. Aurora-'Dormida Fatiga...' 32. Vivo.-'El Moble Diamante...' 33. A 4-'Y Pues Tierra, Agua y Ayre...' 34. (Arioso).-'Flores, Aves, Fuentes, Rios...' 35. Duo.-'Y a la Luz Que Madruga...' 36. Rezitado y (Arioso).-'Mas Y

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