Car Seat Headrest - Teens of Style - VINYL LP
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Vinyl LP pressing includes . Car Seat Headrest is the project of Seattle singer/songwriter Will Toledo. With a vision that is both sweeping in scope and intimately personal, Car Seat Headrest embodies the DIY ethos at it's best. Car Seat Headrest began in 2010 in Will's hometown of Leesburg, Virginia. Needing a place of solitude (and soundproofing) where he could record his often frantic vocals undisturbed, a 17-year old Will set up shop in the family car (hence the name). From this humble origin, he has since built up a catalogue of staggering breadth and depth. In the last five years there have been over ten releases under the Car Seat Headrest name, one of which exceeds two hours in length. While the songs of Car Seat Headrest are often long and complex, they are anchored by irresistible melodies and a piercing emotional directness. Dispersed across the globe, the CSH fanbase is the definition of a cult following several thousand internet denizens who deeply connect with Will's intensely honest and unfiltered approach to writing and performing. With the of Teens of Style, expect that number to greatly expand. This is Car Seat Headrest's first on Matador Records.
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- GenreRockDescriptionVinyl LP pressing includes . Car Seat Headrest is the project of Seattle singer/songwriter Will Toledo. With a vision that is both sweeping in scope and intimately personal, Car Seat Headrest embodies the DIY ethos at it's best. Car Seat Headrest began in 2010 in Will's hometown of Leesburg, Virginia. Needing a place of solitude (and soundproofing) where he could record his often frantic vocals undisturbed, a 17-year old Will set up shop in the family car (hence the name). From this humble origin, he has since built up a catalogue of staggering breadth and depth. In the last five years there have been over ten releases under the Car Seat Headrest name, one of which exceeds two hours in length. While the songs of Car Seat Headrest are often long and complex, they are anchored by irresistible melodies and a piercing emotional directness. Dispersed across the globe, the CSH fanbase is the definition of a cult following several thousand internet denizens who deeply connect with Will's intensely honest and unfiltered approach to writing and performing. With the of Teens of Style, expect that number to greatly expand. This is Car Seat Headrest's first on Matador Records.ArtistCar Seat HeadrestTitleTeens of StyleFormatVINYLLabelMatador Records
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Vinyl LP pressing includes . Car Seat Headrest is the project of Seattle singer/songwriter Will Toledo. With a vision that is both sweeping in scope and intimately personal, Car Seat Headrest embodies the DIY ethos at it's best. Car Seat Headrest began in 2010 in Will's hometown of Leesburg, Virginia. Needing a place of solitude (and soundproofing) where he could record his often frantic vocals undisturbed, a 17-year old Will set up shop in the family car (hence the name). From this humble origin, he has since built up a catalogue of staggering breadth and depth. In the last five years there have been over ten releases under the Car Seat Headrest name, one of which exceeds two hours in length. While the songs of Car Seat Headrest are often long and complex, they are anchored by irresistible melodies and a piercing emotional directness. Dispersed across the globe, the CSH fanbase is the definition of a cult following several thousand internet denizens who deeply connect with Will's intensely honest and unfiltered approach to writing and performing. With the of Teens of Style, expect that number to greatly expand. This is Car Seat Headrest's first on Matador Records.

Limited clear vinyl LP pressing. In the summer of 2021, Geese emerged from out of nowhere, sparking a hype cycle unlike anything that had been seen for a young American rock band in recent memory. Suddenly a band that had previously planned to some music, break up, and go away to college was touring the world. And during this entire process, that very same band everyone was getting to know ceased to exist. On a practical level, Geese are still the group we were introduced to in 2021. But spiritually, Geese have returned as an entirely different prospect. Their new album 3D Country is the sound of a restless, adventurous band redefining themselves. Anyone who has seen Geese live recently might've noticed the band adopted a different vibe onstage - more of a volcanic, unpredictable aesthetic. It turns out that wasn't a flipside to the recordings of Projector, but foreshadowing that there was more to the story. Knowing they were now beyond teenage basement experiments and were instead making something for an audience who would hear it, Geese felt emboldened. InchWhen we were writing Projector it was about narrowing the scope, trying to do more with less,Inch Gus Green says. InchWhen we started writing for 3D Country we were trying to do a lot more and seeing what worked and what didn't.Inch At the same time, they're well aware of how significant a departure they've made. InchAs music listeners, we all appreciate bands who change over time, and are comfortable with risk,Inch Cameron Winter adds. It wasn't necessarily a given that Geese would overhaul their sound, but with age came new adventures and interests. InchMaybe the last record was our teenage angst and 3D Country is our newfound twenty-something arrogance,Inch he quips.

Double vinyl LP pressing includes . With Teens of Denial, his first real InchstudioInch album with an actual band, Will Toledo moves from bedroom pop to something approaching classic rock grandeur and huge (if detailed and personal) narrative ambitions, with nods to the Cars, Pavement, Jonathan Richman, Wire, and William Onyeabor. Teens of Denial refracts Toledo's particular, personal story of one difficult year through cultural touchstones such as the biography of Frank Sinatra, the evolution of the Me Generation as seen in Mad Men and elsewhere, plus elements of Eastern and Western theology. The whole thing flaunts a kind of conceptual, lyrical, and musical ambition that has been missing from far too much 21st-century music. Horns, keyboards, and elegant instrumental interludes set off art-garage moments; vivid vocal harmonies follow punk frenzy. The selfish captain of the capsized cruise liner in the Mediterranean in 2013 becomes a metaphor for struggles of the individual in society, as experienced by one hungover young man on the verge of adulthood.
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