Carolan,Robin / Gainsborough,Sebastian - The Northman (Original Soundtrack) - Green & White Cornetto - VINYL LP

Rob wanted the world of The Northman to feel harsh and uncomfortable, and foreverything to feel like it was caked in mud and dry blood, so it was crucial for thescore to mirror that. Composers Robin Carolan (Tri-Angle Records) and SebastianGainsborough (Vessel) were given a task of epic proportions when director Rob Eggers(The VVitch, The Lighthouse) asked them to create the score for his ambitious and highlyanticipated new film The Northman, releasing on April 22nd. They needed to make ascore that both honored the immense research that had gone into the authenticity of thisViking era period piece and complimented the cinematic maximalism of the film for amodern audience. The artists stretched themselves to the depths of their creativity and theresulting album is a gorgeous sonic tableaux that places the listener right in the center ofthe film.While arranging the score the composers consulted musician and ethnographer PoulHøxbro for inspiration and insight into the history of Viking music. Having backgroundsin left field electronic music, Robin and Sebastian felt liberated by the constraint of usinga small selection of musical tools for this piece. InchElectronic music has almost limitlesspotential when it comes to making sounds and that's obviously an incredible thing, butyou can also go down the wormhole and get lost in it sometimes. There's no risk ofthat happening when you only have a few primary instruments to draw upon.Inch Robinremarked.They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, andsäckpip to build the cinematic world of The Northman but they also took creativefreedoms in adding instruments likes drums, which some academics believe wouldn'thave played a big part in Viking musical culture, simply due to the lack of archaeologicalevidence of actual drums. InchOne of the pieces we wrote was intended to emulate the soundof

If credibility were currency, Fake Names' wealth would be off the charts. Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxzén (Refused, INVSN, The [International] Noise Conspiracy), Johnny Temple (Girls Against Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of Spring), the band is a veritable post-hardcore dream team.However instead of rehashing the past, Expendables is a reinvention that sees the band dialing back the distortion and leaning into the melodies. The result pairs their unparalleled pedigree with a pop sensibility that's slightly unexpected and wholly satisfying. InchFor our last record [2019's Fake Names] the general influences were 70's U.K. punk and power-pop; but it wound up with a little classic rock vibe as well, like the Vibrators meets Aerosmith. We never saw that coming!Inch, Baker explains. For Expendables the band enlisted producer Adam InchAtomInch Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, InchThe pop influences are a little more out front on this one and the production really helps it shine. It sounds more direct, more urgent.InchExpendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of Fake Names as a Inchmutual admiration societyInch and says that once the five members got in the same room together, it felt as if they had already been in the band together for years.

Sarah Schuster Ericsson - 20th Century Harp Sonatas [COMPACT DISCS] date 03/30/2010