Cetiz / Anairesis Ensemble / Babington - Anairesis - COMPACT DISCS [CD]

Luigi Boccherini composed just a single set of sonatas, Op.5, specifically for violin and piano. However, his commercial celebrity and his artistic reputation at the time, as a composer considered in the same breath as Mozart and Haydn, encouraged publishers to commission arrangements of other works. Such arrangements include this set of Sonatas published in London in 1780, made by Thomas Billington but admitted to the catalogue of Boccherini's works as G34-39. Igor Ruhadze and Alexandra Nepomnyashchaya have made the first ever complete recording of this set as a sequel to their 5CD set of Boccherini sonatas (96612) issued by Brilliant Classics in 2023. 'Looking forward to the sequel!' concluded the review in Diapason of that set, after praising the stylish spirit of musicianship and authenticity in the playing of both artists. Compared to their rivals on record, remarked the reviewer, 'the seduction is more demonstrative, the contrasts more accentuated, the sensuality and the feeling more showy.' Today, as Rudolf Rasch's booklet note remarks, we may prefer original works over arranged works; in the 18th century, such a preference was unknown. No one looked down on them. In fact, they made a composer's music accessible for those who could not perform them in their original . There was hardly a more accessible for music-making among friends than the violin sonata, in which the piano would take the lion's share of the harmony from the original work, with the principal melody line assigned to the violin. As well as these violin sonatas, Thomas Billington arranged Corelli's concerti grossi for solo keyboard, and composed a good deal of his own music. In these sonatas, he drew from Boccherini's Trios Op.4 and Op.6, Quartets Op.8 and Quintets Op.10. He was in any case emulating the example of Boccherini himself, who made several such arrangements. As always with Boccheri

The trio sixty1strings is indeed a unique ensemble! On their GENUIN album Ambarabà, the three young musicians Ekaterina Solovey (mandolin), Negin Habibi, and Konstanze Kuß, explore a whole cosmos of sound that ranges from baroque structures to folkloristic and impressionistic spheres. The program includes the only original work for the instrumentation by Hans-Werner Henze and transcriptions of Debussy, Ginastera, Rodrigo, and Micheev. The works, however, receive no new attire; instead, they allow let their original garments to shine in an entirely new and special way. The album thereby pays homage to the beauty of the three instruments, which we rediscover in an excitingly evocative manner.

Trenet / Chauliac / Studio Ensemble / Belieres - Aerienne [COMPACT DISCS] date 01/01/2006