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Like the towering mounds of toxic waste from which it gets it's namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile's music is a poignant reminder of that shift-a portrait of an American rock band molded by a society defined by it's cold and cruel power systems.Though very much on-brand with Chat Pile's signature flavor of cacophonous, sludgy noise rock, the band's shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album's core theme of violence. Melded into the band's twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album's ten tracks. Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band's first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet's unmistakably outsider and folk-art edge.While Chat Pile's debut album was plenty disturbing with it's B-movie-inspired interpretation of a Inchreal American horror storyInch, what the band depicts on Cool World is unsettling not just from it's visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest undeniably gratuitous and thrilling in the m

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Double 180 gram vinyl LP pressing including poster. Digitally remastered 30th Anniversary edition of the veteran rock band's classic album. Hysteria is the fourth studio album by Def Leppard. It was released on August 3rd, 1987 and is the band's best-selling album to date, selling over 25 million copies worldwide and charting at #1 on the Billboard 200 in the US. Featuring the singles 'Animal', 'Women', 'Pour Some Sugar On Me', 'Hysteria', 'Armageddon It', 'Love Bites', and 'Rocket'. The album charted at #1 on both the Billboard 200 and the UK Albums Chart. Hysteria was produced by Robert John InchMuttInch Lange. The title of the album was thought up by drummer Rick Allen, referring to his 1984 auto accident and the ensuing worldwide media coverage surrounding it. It is also the last album to feature guitarist Steve Clark before his death, although songs co-written by him would appear on the band's next album, Adrenalize. The album is the follow-up to the band's 1983 breakthrough Pyromania. Album Tracks 1. Women-Remastered 2017 2. Rocket-Remastered 2017 3. Animal-Remastered 2017 1. Bites - Remastered 2017 2. Pour Some Sugar on Me - Remastered 2017 3. Armageddon It - Remastered 2017 1. Gods of War - Remastered 2017 2. Don't Shoot Shot Gun - Remastered 2017 3. Run Riot - Remastered 2017 1. Hysteria - Remastered 2017 2. Excitable - Remastered 2017 3. Love and Affection - Remastered 2017
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