Chor Des Bayerischen Rundfunks Muenchner Rundfunkorchester Repusic - Attila - COMPACT DISCS [CD]
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Following Giuseppe Verdi's InchLuisa MillerInch, with which Ivan Repušic made his debut as principal conductor of the Münchner Rundfunkorchester in September 2017, and InchI due FoscariInch in October 2018, the conductor's successful cycle of early masterpieces by the famous Italian opera composer now continues with InchAttilaInch. In the recording of the concert performance from the Prinzregententheater, outstanding performers provide authentic fluidity and vocal splendor. This highlight of Munich musical life from the end of last year is now already being released on BR-KLASSIK as a double album. Like it's predecessors InchNabuccoInch and InchI LombardiInch, Verdi's early masterpiece InchAttilaInch is a choral opera in the best sense, and gained an enthusiastic reception from the Italian unification movement it's themes reflected the aspirations of the Risorgimento in the restless Italy of that time. The line InchAvrai tu l'universo, resti l'Italia a meInch (InchYou may have the universe, but let Italy remain mineInch) was enthusiastically received right from the start, helping to pave the way for the opera on the stages of Italy and Europe. It was not only the audience at the premiere at the Teatro La Fenice in Habsburg-ruled Venice who understood the full import of those words. Hardly any other opera by Verdi was received in Italy with so much euphoria. Outside the country, of course, it failed to make a lasting impression - probably also due to the extremely difficult role of Odabella.
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- GenreClassicalDescriptionFollowing Giuseppe Verdi's InchLuisa MillerInch, with which Ivan Repušic made his debut as principal conductor of the Münchner Rundfunkorchester in September 2017, and InchI due FoscariInch in October 2018, the conductor's successful cycle of early masterpieces by the famous Italian opera composer now continues with InchAttilaInch. In the recording of the concert performance from the Prinzregententheater, outstanding performers provide authentic fluidity and vocal splendor. This highlight of Munich musical life from the end of last year is now already being released on BR-KLASSIK as a double album. Like it's predecessors InchNabuccoInch and InchI LombardiInch, Verdi's early masterpiece InchAttilaInch is a choral opera in the best sense, and gained an enthusiastic reception from the Italian unification movement it's themes reflected the aspirations of the Risorgimento in the restless Italy of that time. The line InchAvrai tu l'universo, resti l'Italia a meInch (InchYou may have the universe, but let Italy remain mineInch) was enthusiastically received right from the start, helping to pave the way for the opera on the stages of Italy and Europe. It was not only the audience at the premiere at the Teatro La Fenice in Habsburg-ruled Venice who understood the full import of those words. Hardly any other opera by Verdi was received in Italy with so much euphoria. Outside the country, of course, it failed to make a lasting impression - probably also due to the extremely difficult role of Odabella.ArtistChor Des Bayerischen Rundfunks Muenchner Rundfunkorchester RepusicTitleAttilaFormatCDLabelBR Klassiks
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The Munich performances of Verdi's MESSA DA REQUIEM in October 1981 with Jessye Norman, Agnes Baltsa, José Carreras and Yevgeny Nesterenko, the Bavarian Radio Chorus, and the Symphonieorchester des Bayerischen Rundfunks conducted by Riccardo Muti were concert events that have hardly been equaled since, let alone surpassed - so powerful were the chorus and orchestra, so strictly did the maestro keep his eye on the interpretation, and so superb were the renowned soloists - singers of international renown who gave their all to achieve the best possible result. And they all succeeded brilliantly. Finally - four decades later - BR-KLASSIK can now present this absolute pinnacle in the performance history of Verdi's MESSA DA REQUIEM on album. The audience was spellbound and totally captivated, and there was glowing praise from the critics the powerful work, they said, had hardly ever been heard like this on this side of the Alps; Riccardo Muti had demonstrated how Verdi's Requiem should sound; this performance of Verdi's requiem mass was authentic, frightening, tender and terrifying, providing a timid yet hopeful glimpse of transcendence; all in all, a truly resounding success. Wolf-Dieter Peter, a reviewer for the Mittelbayrische Zeitung in Regensburg (see booklet), was there at the time and reported how the extra trumpets positioned in the gallery of the Herkulessaal Inchblasted a glistening jet of metallic sound across the stalls, almost as if from the afterlifeInch. It was something, he said, that had Inchnever been seen, heard or experienced like this before... simply unforgettable.Inch Album Tracks 1. Requiem Und Kyrie 2. Sequentiz 3. Dies Irae 4. Tuba Mirum 5. Liber Scriptus 6. Quid Sum Miser 7. Rex Tremendae 8. Recordare 9. Ingemisco 10. Confutatis 11. Lacrymosa 12. Offertorio 13. Domine, Jesu Christe 14. Hostias 15. Sanctus Und Ben
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