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Christopher Guild - Stevenson: Piano Music, Vol. 7 – Folksong with Grainger - COMPACT DISCS [CD]

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Percy Grainger (1882-1961) and Ronald Stevenson (1928-2015), both composer-pianists of the Golden Age of keyboard virtuosity, shared a passion for folksong, especially the modal Celtic melodies from the fringes of the British Isles. Though the two never met, they corresponded for many years, with Stevenson arranging many of Grainger's transcriptions in a deliberate act of homage to the older man, whose quirky originality brought Stevenson illumination on his own idiosyncratic path. This seventh instalment in Christopher Guild's Toccata Classics survey of Stevenson's piano music uncorks the exultant good humour that he and Grainger found on that common Celtic ground.

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  • Genre
    Pop
    Description
    Percy Grainger (1882-1961) and Ronald Stevenson (1928-2015), both composer-pianists of the Golden Age of keyboard virtuosity, shared a passion for folksong, especially the modal Celtic melodies from the fringes of the British Isles. Though the two never met, they corresponded for many years, with Stevenson arranging many of Grainger's transcriptions in a deliberate act of homage to the older man, whose quirky originality brought Stevenson illumination on his own idiosyncratic path. This seventh instalment in Christopher Guild's Toccata Classics survey of Stevenson's piano music uncorks the exultant good humour that he and Grainger found on that common Celtic ground.
    Artist
    Christopher Guild
    Title
    Stevenson: Piano Music, Vol. 7 – Folksong with Grainger
    Format
    CD
    Label
    Toccata
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Christopher Guild - Stevenson: Piano Music, Vol. 7 – Folksong with Grainger   - COMPACT DISCS [CD]
Christopher Guild - Stevenson: Piano Music, Vol. 7 – Folksong with Grainger - COMPACT DISCS [CD]

Percy Grainger (1882-1961) and Ronald Stevenson (1928-2015), both composer-pianists of the Golden Age of keyboard virtuosity, shared a passion for folksong, especially the modal Celtic melodies from the fringes of the British Isles. Though the two never met, they corresponded for many years, with Stevenson arranging many of Grainger's transcriptions in a deliberate act of homage to the older man, whose quirky originality brought Stevenson illumination on his own idiosyncratic path. This seventh instalment in Christopher Guild's Toccata Classics survey of Stevenson's piano music uncorks the exultant good humour that he and Grainger found on that common Celtic ground.

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