Chuck Berry - Toronto Rock n Roll Revival 1969 - VINYL LP

The whole point of this record was to share every emotion that I feel, says The Soft Moon's Luis Vasquez. InchNo two songs are the same. It's about existing in the world as a human being and experiencing many emotions and experiences throughout life.Inch And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. InchExister is my way of saying 'I'm here, deal with it.'Inch Vasquez says. Sonically, this expression is a vast, expansive and potent one. The opening 'Sad Song', which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as 'The Pit' capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. 'Monster' - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. 'Become the Lies' explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narc and Special Interest's Alli Logot on 'Him' and 'Unforgiven' - all while retaining that distinct tone that unmistakably The Soft Moon

Chuck Berry InchReeling and RockingInch

Chuck Berry - InchChuck Berry In MemphisInch / Chuck Berry In Memphis is his 11th studio album, released in 1967 by Mercury Records. This was Berry's first album for Mercury after leaving Chess Records. Recorded over a three-day period in Memphis in March of 1967, the record features Berry mixing blues and pop with rock & roll. It features saxophonists Andrew Love and James Mitchell from The Memphis Horns. This is the first American official LP re-issue.