City Park - DVD

An opposition party politician, Janet, has decided to have a group of friends over to the flat where she and her husband, Bill, reside in London after receiving fantastic news She has been chosen to serve as a Health Shadow Minister. Her guests includes her best friend April who is a dour American married to a friendly German-born spiritual life coach and healer named Gottfried. Another friend, Martha, is a university professor partnered with a chef named Jinny. Lastly, she invites a colleague, Marianne, who's married to a handsome banker named Tom. When Marianne doesn't arrive with Tom, the event seems to create an unsettled atmosphere. An uneasiness sets in and each party-goer, including Janet and Bill, find themselves forced to face a plethora of secrets and lies.

SLC Punk! Is a 1998 comedy-drama written and directed by James Merendino and starring Matthew Lillard. The plot focuses on Stevo (Lillard), a gifted college graduate in Salt Lake City, Utah, who has recently bought wholeheartedly into the anti-establishment punk lifestyle. He spends his days partying and fighting alongside a motley assortment of local SLC punks, all the while providing a spirited intellectual defence of his philosophy. However, the contradictory and unsustainable punk lifestyle gradually begins to wear on him, and he faces a crisis in the direction his young life will take.

One of international cinema's most fearless and provocative filmmakers, Nadav Lapid has long been an outspoken critic of his birth country's government policies, channeling a lifetime of fury and frustration into vital films like Synonyms and Ahed's Knee that brim with righteous anger, spite, and shame. In Yes, Lapid once again takes vigorous critical aim at the Israeli government with a new approach submission. In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel's social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance to compose the music for a rousing, ruthless new national anthem. Feverishly whirling between moments of satire, sincerity, and complete submission, Yes is a visceral, blistering indictment of modern Israel, and an essential addition to post-October 7 cinema.