Clap Your Hands Say Yeah - Hysterical - Blue - VINYL LP

Limited double vinyl LP pressing. 2015 , the fourth album by the Vancouver-born and New York-based acclaimed cellist. Julia Kent rose to prominence with Rasputina and Antony & The Johnsons. Her extensive résumé includes recent work with Swans, Aidan Baker, Rachel Grimes, Rutger Zuydervelt, Barbara Morgenstern, Library Tapes and Khan of Finland. As the title suggests, this is a record born of conflict internal, personal and global. Universal themes. The build of pressure and the threat of violent . Modern guilt. Modern fears. Kent draws from a rich well of emotion, the pieces deceptively rendered, each feeling like a miniature dramatic epic in its own right-sculpted and self-contained. Her work on recent film scores is very much in evidence. While cinematic in scope, there is no trite Hollywood ending here. There is tension and darkness, the edges cracked and frayed. Asperities was recorded, produced and mixed in its entirety by the artist in her New York studio. Looped cello, electronics and found sounds create a world where the technological and the organic merge in perfect symbiosis, the layers of sound peeling back to reveal a beating, bloody human heart at its center. Throughout the plaintive strains of opener InchHellebore,Inch the prowling grace of InchThe Leopard,Inch the elegant restraint of InchHeavy EyesInch and the immersive closer InchTramontana,Inch Kent's cello evokes romance and loss, a yearning for simplicity. This is the soundtrack to the transitory nature of life and the inevitability of death.

What are we to make of the world? In many ways, the title New Fragility perfectly sums up our collective state of unease and anxiety, but it's particularly apt for singer songwriter Alec Ounsworth AKA Clap Your Hands Say Yeah and the trauma he's spent the best part of three years processing. InchIt's pretty personal, Inch says Ounsworth. InchIt's about what I think we're all experiencing at the moment, certainly here in the United States anyway - trying to move forward amidst an almost cruel uncertainty.Inch Taken from the David Foster Wallace short story 'Forever Overheard', from the collection Brief Interviews With Hideous Men - InchYou have grown into a new fragility, Inch says the story's adolescent narrator - the title track documents what happens directly after a long relationship comes to an end, and what's discovered soon after. InchThere comes a period of making up for lost time in a changed world, Inch says Ounsworth, Inchand now is a time of predictable stupidity.Inch InchI never want to take another chance on anyoneInch, Ounsworth laments over a steady chug of muted guitar chords, delicate piano, and bustling drums. InchI can't believe the things I do to myselfInch. It's a song that takes a long, hard look at itself in the mirror and doles out some uncomfortable truths. Yet it also showcases what Ounsworth has become so masterful at - couching a certain level of seriousness in something fun. Something danceable. It's what's powered some of Clap Your Hands Say Yeah's most memorable moments, and what makes New Fragility such an accomplished, affecting record. Powerful too, taking aim at what Ounsworth calls Inchthe failed democratic experiment that is the United States of AmericaInch and the supine hypocrisy of those currently in government. The first singles taken from New Fragility, the double A-side of 'Hesitating Nation' and 'Thousand Oaks', are deeply p

Chilean virtuoso Claudio Arrau, (1903-1991) was one of the greatest and most recorded pianists of all time. His musical talent was recognized from an early age and he played his first recital at age five. At age eight the Chilean government awarded him a grant for study in Berlin with Waldemar Lutsch and Martin Krause who was a student of Franz Liszt and whose teaching and influence were greatly significant on Arrau. Arrau's adolescent career flourished in Germany - his formal Berlin debut of 1914 was followed by tours of Germany and Scandinavia. He won the Liszt prize for the second time in 1920. The same year he played his Berlin Philharmonic debut with conductor Karl Muck. Also in 1920, he made his London debut. In 1923 and 1924 he came to the United States.In 1926 Arrau returned to the Stern Conservatory in Berlin as a professor of piano, a position which he held until 1940. In 1927 he won the Concours International de Pianists in Geneva. He returned to the USA with a 1941 Carnegie Hall recital receiving rave reviews, which effectively re-launched his American career.DOREMI is pleased to present here Claudio Arrau in two concerts of Chopin and Liszt two concertos from Copenhagen with the Danish Radio Orchestra (September 1967), and his recital at the Helsinki Festival in September, 1972 which includes Liszt's Sonata in B Minor.