Clarissa Connelly - World Of Work - VINYL LP

Returning with his first album in 13 years, Errorsmith's Superlative Fatigue long-awaited on PAN arrives as his perhaps most optimistic record yet. Placing a strong emphasis on spectral exploration, the tracks tell an inherent story and span a musical arc with his recognizable synthesized tones, computerized vocal effects, and timbral changes in motion. In comparison to his previous productions, Errorsmith (Erik Wiegand) sees the as less abstract, harsh or aggressive InchI would say it is rather accessible and cheerful; at times ridiculously cheerful but still very sincere and emotional.Inch He suggests. InchI find it touching when this little android raises it's pitch at the end of 'Lightspeed' or the android catching it's breath in 'My Party' for instance.Inch The album title, Superlative Fatigue, reflects this tension between an over-the-top, hysterical emotion, against more deeply felt expressions or realness. Besides collaborating with the likes of Mark Fell, to Berghain resident Fiedel as MMM, and Sound Stream as Smith N Hack, Wiegand has released a string of seminal dancefloor tracks. Building his own instruments using modular software synthesizers is a large part of his work. Almost all the sounds in the LP were created with his synth, InchRazorInch, (a synthesizer plug-in he developed for Native instruments, released in 2011) or slightly modified versions of it. Premiered at Unsound Festival last year, this new material he has developed since has finally taken form in this epic full-length. Artwork by James Hoff; Layout by Bill Kouligas. Mastered by Rashad Becker.

Melbourne punk power trio CLAMM return with second album Carein August 2022.CLAMM's music was already concerned with the woes of the world,but the last two years have added extra urgency to their blown out,dystopian punk power.CLAMM explore the confusion of what it is to be a young persontrying to live an honourable life in this f*ked up world. Their songsare about trying to navigate systems of power and oppression whileretaining a healthy sense of self and mental health. Community,creativity, and catharsis are what they hope to achieve through theirmusic.Care is bigger, louder and darker than CLAMM's debut album BeseechMe (2020), which was a feature album across Australian radio andfirst brought them to international attention. Beseech Me was reissuedon vinyl in 2021 by UK tag Meat Machine (home to Canadian artpunk provocateurs Crack Cloud), which saw CLAMM featured onthe cover of French Rolling Stone and played on BBC 6 Music.In Australia the band has played with Wolf Alice, Amyl & theSniffers, the Chats and the Murlocs. CLAMM will tou

William Ash was and remains one of the foremost guitarists in the New York and International Jazz scene. After mastering the guitar within the InchWes Montgomery schoolInch, he later learned the bass as a means to supplement his career, becoming a double threat, along with a knack for composing catchy jazz tunes. A protege of the great pianist Barry Harris, Ash is one of the modern purveyors of a an ancient, yet newly revered style of jazz known as InchBe-BopInch, and he's worked with many of the greats, including Jack McDuff, Cecil Payne, Roy Hargrove, Joey InchG-ClefInch Cavaseno, Bobby Forrester, and Larry Goldings. About Ash, InchAll About JazzInch stated he had Incha soulfully mellow sound with a driving dynamic approachInch. InchSweet WireInch, Volume 1 and 2 are some now archival recordings that never saw daylight, from back in 2005. They were birthed from some exclusive studio sessions in drummer Jimmy Madison's studio in NYC's Broadway Alley, featuring Madison's tasty, swinging drumming, as well as the versatile bass of Thomas Bramerie. These recordings truly show the art of the guitar trio, once pioneered by Wes Montgomery, Ash's main influence, but Ash takes said art to the next level on these sides. To say that these albums are InchgreatInch merely scratches the surface, as audiences will no doubt be surprised by the high level of Jazz going on here. On InchSweet WireInch Volumes 1 & 2, Ash pushes his own limits and breaks out in a creative flurry of edgy Modern Bop, never before heard in Jazz Music. One of his contemporaries, guitarist Peter Bernstein spoke of this InchWilliam Ash is one the most amazing guitarists I've ever heard. From a ridiculously young age, he had a mastery of the jazz language and natural ability to create and communicate beautiful ideas. A recording from him is an exciting thing!Inch