Clelia Iruzun - Treasures from the New World, Vol. 4 - Brazilian Piano Quintets - COMPACT DISCS [CD]
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SOMM Recordings is delighted to collaborate again with I Musicanti, directed by virtuoso double-bass player Leon Bosch and praised by The Strad for their 'performances of passion and insight.' This latest features the Brazilian-born, London-based pianist Clelia Iruzun, whose frequent SOMM collaborations include the International Classical Music Award-nominated Piano Concertos by Albeniz & Mignone with the Royal Philharmonic Orchestra conducted by Jac van Steen.This highlights five notable Brazilian composers from generations that succeeded the singular Brazilian composer, Heitor Villa-Lobos. While their names might not be as familiar as their famous compatriot, the musical qualities of their compositions-all scored for the forces of Schubert's 'Trout' Quintet-are revelatory. The programme opens and closes with works by Edmundo Villani-Cortes (b. 1930) who acknowledges the early influence of Shostakovich and French Impressionism. He composed his 5 Miniaturas brasileiras in 1978 for flute and piano, and their immediate success led to no fewer than seventeen transcriptions for a variety of instrumental combinations. Caratinguê, a municipality in the Southeast Region of Brazil, lends it's name to the work by Villani-Cortes that closes this programme. It combines art and folk music to conjure the lively rhythms and irresistible musical atmosphere of Brazil.Joao Guilherme Ripper (b.1959), who received his D.M.A. in Composition at Catholic University of America, in Washington D.C., later served as composer-in-residence at Kean University in New Jersey, which commissioned From My Window No. 3 in 2011. Ripper describes this three-movement work-heard here in it's first recording-as portraying aspects of his native city, from the Carnival in Rio de Janeiro to feelings of nostalgia. A short Song Without Words, Cancao sem palavras, is by Arrigo Barnabe (b. 1951), one of the fi
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- GenreClassicalDescriptionSOMM Recordings is delighted to collaborate again with I Musicanti, directed by virtuoso double-bass player Leon Bosch and praised by The Strad for their 'performances of passion and insight.' This latest features the Brazilian-born, London-based pianist Clelia Iruzun, whose frequent SOMM collaborations include the International Classical Music Award-nominated Piano Concertos by Albeniz & Mignone with the Royal Philharmonic Orchestra conducted by Jac van Steen.This highlights five notable Brazilian composers from generations that succeeded the singular Brazilian composer, Heitor Villa-Lobos. While their names might not be as familiar as their famous compatriot, the musical qualities of their compositions-all scored for the forces of Schubert's 'Trout' Quintet-are revelatory. The programme opens and closes with works by Edmundo Villani-Cortes (b. 1930) who acknowledges the early influence of Shostakovich and French Impressionism. He composed his 5 Miniaturas brasileiras in 1978 for flute and piano, and their immediate success led to no fewer than seventeen transcriptions for a variety of instrumental combinations. Caratinguê, a municipality in the Southeast Region of Brazil, lends it's name to the work by Villani-Cortes that closes this programme. It combines art and folk music to conjure the lively rhythms and irresistible musical atmosphere of Brazil.Joao Guilherme Ripper (b.1959), who received his D.M.A. in Composition at Catholic University of America, in Washington D.C., later served as composer-in-residence at Kean University in New Jersey, which commissioned From My Window No. 3 in 2011. Ripper describes this three-movement work-heard here in it's first recording-as portraying aspects of his native city, from the Carnival in Rio de Janeiro to feelings of nostalgia. A short Song Without Words, Cancao sem palavras, is by Arrigo Barnabe (b. 1951), one of the fiArtistClelia IruzunTitleTreasures from the New World, Vol. 4 - Brazilian Piano QuintetsFormatCDLabelSomm Recordings
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