Clipping - CLPPNG - VINYL LP
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CLPPNG is the debut album from LA based rap trio, Clipping. For Sub Pop Records. Blending precise, quick fire vocals with caustic burst of noise, Clipping. Are classic west coast rap music from the tradition where sounding different wasn't cause for fear. Album Tracks 1. Body & Blood 2. Work Work (Feat. Cocc Pistol Cree) 3. Summertime (Feat. King T) 4. Inside Out 5. Tonight (Feat. Gangsta Boo) 6. Dream 7. Get Up (Feat. Mariel Jacoda) 8. Or Die (Feat. Guce) 9. Taking Off 10. Story 2 11. Dominoes 12. Williams Mix (Feat. Tom Erbe) 13. Run Out
- GenreHip Hop/RapDescriptionCLPPNG is the debut album from LA based rap trio, Clipping. For Sub Pop Records. Blending precise, quick fire vocals with caustic burst of noise, Clipping. Are classic west coast rap music from the tradition where sounding different wasn't cause for fear. Album Tracks 1. Body & Blood 2. Work Work (Feat. Cocc Pistol Cree) 3. Summertime (Feat. King T) 4. Inside Out 5. Tonight (Feat. Gangsta Boo) 6. Dream 7. Get Up (Feat. Mariel Jacoda) 8. Or Die (Feat. Guce) 9. Taking Off 10. Story 2 11. Dominoes 12. Williams Mix (Feat. Tom Erbe) 13. Run OutArtistClippingTitleCLPPNGFormatVINYLLabelSub Pop
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CLPPNG is the debut album from LA based rap trio, Clipping. For Sub Pop Records. Blending precise, quick fire vocals with caustic burst of noise, Clipping. Are classic west coast rap music from the tradition where sounding different wasn't cause for fear. Album Tracks 1. Body & Blood 2. Work Work (Feat. Cocc Pistol Cree) 3. Summertime (Feat. King T) 4. Inside Out 5. Tonight (Feat. Gangsta Boo) 6. Dream 7. Get Up (Feat. Mariel Jacoda) 8. Or Die (Feat. Guce) 9. Taking Off 10. Story 2 11. Dominoes 12. Williams Mix (Feat. Tom Erbe) 13. Run Out

Vinyl LP pressing includes digital download. Since the of CLPPNG, things have changed for the band-William finished his Ph.D. in Theater and Performance Studies with a dissertation on experimental music, Jonathan composed scores for the films Starry Eyes, The Nightmare, Excess Flesh, and Contracted Phase II, and Daveed hit Broadway. Their activities outside Clipping have always influenced their work in the band, but never as much as in the creation of Splendor & Misery. Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship's shuddering hull and chirping instrument panels. William and Jonathan's tracks draw an imaginary sonic map of the ship's decks, hallways, and quarters, while Daveed's lyrics ride the rhythms produced by it's engines and machinery. In a reversal of H.P. Lovecraft's concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, the character decides to pilot his ship into the unknown-and possibly into oblivion-instead of continuing on to worlds whose systems of governance and economy have violently oppressed him. Album Tracks 1. Long Way Away (Intro) 2. The Breach 3. All Black 4. Interlude 01 (Freestyle) 5. Wake Up 6. Long Way Away 7. Interlude 02 (Numbers) 8. True Believer 9. Long Way Away Instrumental) 10. Air 'Em Out 11. Interlude 03 (Freestyle) 12. Break the Glass 13. Story 5 14. Baby Don't Sleep

The North Carolina trio Setting brings together their substantial collective skills as musicians and their collaborative mindset to bear in their inventive and rich improvisations. Known for work in Mind Over Mirrors, Califone, Black Twig Pickers, Pelt, Peeesseye, Sylvan Esso, and Jake Xerxes Fussell, multi-instrumentalists Jaime Fennelly, Nathan Bowles and Joe Westerlund subvert expectations while creating a sense of wonderment. Their intricate interplay of synthesizers, cassette loops, banjo, keyboards, electronics, zithers, and a litany of percussive instruments form a tactile amalgam of celestial transcendence and terrestrial rhythm, a loamy pulse fluidly guiding every minute fluctuation in feel. Setting's self-titled album is a definitive statement of their improvisational acumen meeting compositional rigor, a robust wellspring of hypnagogic grooves and mosaiced textures.Setting harnesses the euphoria of communal creation. InchThis is one of the most joyous albums I've made with other musicians. It felt like we were all in the slipstream,Inch notes Fennelly. Bowles adds InchMaking this is maybe the easiest thing in my life; it's not struggle music. This collaboration feels like it's just coming out of the air, like it's breathing.InchThe eponymous album from Setting is the product of three intuitive players and deep listeners, artists who use those skills to create transformative music. The trio shirk any broader categorizations, as their unique dynamic pieces are alight with arrangements urgent and smoldering, patient and emotive. Album Tracks 1. Heard a Bubble 2. Gum Bump 3. What Kind of Fish Is a Turtle 4. Ribbon of Moss 5. Derring-Do

Vinyl LP pressing. Includes digital download. It's been 10 years since the of Turning On, Cloud Nothings' debut album. Singer-songwriter Dylan Baldi was just 18 years old when he began recording the album in his parents' basement in Cleveland, Ohio. Over one winter, Baldi produced an album of taut, lo-fi guitar-pop songs, playing each instrument himself. The band has accomplished a great deal since Turning On, signing to Carpark Records, releasing seven albums, and headlining numerous international tours, yet Turning On still remains the stripped-back core of Cloud Nothings' style raw and grungy, filled with catchy earworms that are surprisingly pop. To celebrate it's 10th anniversary, Turning On is available on vinyl for the first time in 10 years via Carpark Records, with the album's original tracklisting.
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