Common - Be - VINYL LP
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Electric Circus cost and won Common some fans. It was very exploratory, especially so for a rap album released in 2002, containing developments - some of which soared, some of which sank - that few longtime followers could have foreseen. Listeners either felt Common was picking up fresh, new inspirations, or that he was just being distracted by a whole lot of ill-fitting nonsense. With Be, it seems the MC has realized that not every album that's sprawling and eclectic is as good as Electric Ladyland or Songs in the Key of Life. More notably, he might've been struck with the fact that a high percentage of excellent albums are around 40 minutes in length and are built on a unified sound. Be is highly concentrated, containing 11 songs and involving two producers and a small number of guests. It's a 180 degree turn from Electric Circus, and in a bizarre way it's both a progression and a back-to-basics move. Kanye West and Dilla are key to the album's steadiness, rooting the sound in '70s soul and soul-jazz. That's no shakeup, but the two producers deserve some form of award for stringing together a consistent sequence of productions that is never monotonous, dull, or all that flashy. Even lead single InchThe Corner,Inch heard well before Be's , falls into the fabric of the album on first listen, as if that were where it belonged all along. Lyrically, Common comes back down to Earth - the narratives are sharp as ever, the gripes are more like observations than screeds, and the eccentricities need to be teased out rather than swatted away. Be isn't likely to be referred to by anyone as groundbreaking, but it's one of Common's best, and it's also one of the most tightly constructed albums of any form within recent memory Reissue of Common's 2005 LP
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VINYLSpecifications
- GenreDance and electronicDescriptionElectric Circus cost and won Common some fans. It was very exploratory, especially so for a rap album released in 2002, containing developments - some of which soared, some of which sank - that few longtime followers could have foreseen. Listeners either felt Common was picking up fresh, new inspirations, or that he was just being distracted by a whole lot of ill-fitting nonsense. With Be, it seems the MC has realized that not every album that's sprawling and eclectic is as good as Electric Ladyland or Songs in the Key of Life. More notably, he might've been struck with the fact that a high percentage of excellent albums are around 40 minutes in length and are built on a unified sound. Be is highly concentrated, containing 11 songs and involving two producers and a small number of guests. It's a 180 degree turn from Electric Circus, and in a bizarre way it's both a progression and a back-to-basics move. Kanye West and Dilla are key to the album's steadiness, rooting the sound in '70s soul and soul-jazz. That's no shakeup, but the two producers deserve some form of award for stringing together a consistent sequence of productions that is never monotonous, dull, or all that flashy. Even lead single InchThe Corner,Inch heard well before Be's , falls into the fabric of the album on first listen, as if that were where it belonged all along. Lyrically, Common comes back down to Earth - the narratives are sharp as ever, the gripes are more like observations than screeds, and the eccentricities need to be teased out rather than swatted away. Be isn't likely to be referred to by anyone as groundbreaking, but it's one of Common's best, and it's also one of the most tightly constructed albums of any form within recent memory Reissue of Common's 2005 LPArtistCommonTitleBeFormatVINYLLabelGeffen Records
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Rating 5 out of 5 stars with 3 reviews
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Electric Circus cost and won Common some fans. It was very exploratory, especially so for a rap album released in 2002, containing developments - some of which soared, some of which sank - that few longtime followers could have foreseen. Listeners either felt Common was picking up fresh, new inspirations, or that he was just being distracted by a whole lot of ill-fitting nonsense. With Be, it seems the MC has realized that not every album that's sprawling and eclectic is as good as Electric Ladyland or Songs in the Key of Life. More notably, he might've been struck with the fact that a high percentage of excellent albums are around 40 minutes in length and are built on a unified sound. Be is highly concentrated, containing 11 songs and involving two producers and a small number of guests. It's a 180 degree turn from Electric Circus, and in a bizarre way it's both a progression and a back-to-basics move. Kanye West and Dilla are key to the album's steadiness, rooting the sound in '70s soul and soul-jazz. That's no shakeup, but the two producers deserve some form of award for stringing together a consistent sequence of productions that is never monotonous, dull, or all that flashy. Even lead single InchThe Corner,Inch heard well before Be's , falls into the fabric of the album on first listen, as if that were where it belonged all along. Lyrically, Common comes back down to Earth - the narratives are sharp as ever, the gripes are more like observations than screeds, and the eccentricities need to be teased out rather than swatted away. Be isn't likely to be referred to by anyone as groundbreaking, but it's one of Common's best, and it's also one of the most tightly constructed albums of any form within recent memory Reissue of Common's 2005 LP
Late Registration is the second studio album by American hip hop artist Kanye West, released on August 30, 2005, by Roc-A-Fella Records. Recording sessions for the album took place over the course of a year at Record Plant Studios, Chalice Recording Studios, and Grandmaster Recording Studios in Hollywood, and at Sony Music Studios in New York City. West collaborated with American record producer and composer Jon Brion to produce Late Registration, and the album features guest contributions from artists such as Jay-Z, Common, Lupe Fiasco, Jamie Foxx, Nas, Brandy, and Adam Levine, among others. Upon it's , Late Registration received rave reviews from music critics and earned West several accolades, including a Grammy Award for Best Rap Album at the 2006 Grammy Awards and an Album of the Year nomination. It appeared at the top of several publications year-end lists of top albums. Rolling Stone named it the best album of 2005, and included it at number 118 on it's list of the 500 Greatest Albums of All Time in 2012.
N.W.A.'s Greatest Hits is a greatest hits album originally released on July 2, 1996. The re-released version contains two bonus tracks by the reunited group. The track InchChin CheckInch was recorded by Ice Cube, Dr. Dre, MC Ren and Snoop Dogg under the N.W.A name for the soundtrack of Next Friday. InchHelloInch first appeared on Ice Cube's sixth studio album War & Peace - Volume 2 (The Peace Disc) and featured Dr. Dre & MC Ren.N.W.A.'s career isn't necessarily one that lends itself well to anthologies. Though they had important singles, especially in the underground hip-hop community in the late '80s, they never received any support from radio or MTV, which meant they never had any official Inchhits.Inch Instead, their albums were more important, popular, and influential, than their singles, even if individual tracks - InchF**k tha Police, Inch InchStraight Outta Compton, Inch InchGangsta Gangsta, Inch InchExpress YourselfInch - became the focus of attention. And, if you notice, all those songs were from Straight Outta Compton the only good album the group ever made.
Tracks, Welcome to the Jungle; It's So Easy (Explicit); Nightrain (Explicit); Out Ta Get Me (Explicit); Mr. Brownstone (Explicit); Paradise City; My Michelle (Explicit); Think About You (Explicit); Sweet Child O'Mine; You're Crazy (Explicit); Anything Goes (Explicit) and Rocket Queen (Explicit). Universal. 2008.
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