Concerto Soave - Campra & Bernier: Venite, exultemus - COMPACT DISCS [CD]
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The motet for solo voice and two dessus, usually two violins, and the cantata with instrumental accompaniment originated in Italy at the dawn of the 17th century. The genre was introduced to France by Marc-Antoine Charpentier and by travelling Italian musicians and rapidly became one of the key showpieces of Italian taste and style. The genre was deployed superbly in the early 18th century by two magnificent composers who were practically contemporaries Andre Campra and Nicolas Bernier.Campra's natural attraction to Italian music is easily explained, as he was the son of an Italian doctor living in Aix-en-Provence and was also a pupil of the great Poitevin in the same city. Bernier, if we are to believe certain sources, was a pupil in Rome of the Venetian Antonio Caldara, one of the most important composers of his time. Album Tracks 1. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Venite, exultemus Domino 2. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Quoniam Deus magnus Dominus 3. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Venite, adoremus 4. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Hodie, si vocem ejus audieritis 5. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Quadraginta annis offensus fui generationi illi 6. Premier Livre d'Orgue~Plein jeu 7. Laudate Dominum, Motet à voix seule et deux dessus de violons~Laudate Dominum in excelcis 8. Laudate Dominum, Motet à voix seule et deux dessus de violons~Quia ipse dixit & facta sunt 9. Laudate Dominum, Motet à voix seule et deux dessus de violons~Laudate Dominum de terra 10. Laudate Dominum, Motet à voix seule et deux dessus de violons~Montes & omnes colles 11. Laudate Dominum, Motet à voix seule et deux dessus de violons~Confessio ejus super cælum & terram 12. Deuxième Livre~Fond d'orgue 13. Judi
- GenreClassicalDescriptionThe motet for solo voice and two dessus, usually two violins, and the cantata with instrumental accompaniment originated in Italy at the dawn of the 17th century. The genre was introduced to France by Marc-Antoine Charpentier and by travelling Italian musicians and rapidly became one of the key showpieces of Italian taste and style. The genre was deployed superbly in the early 18th century by two magnificent composers who were practically contemporaries Andre Campra and Nicolas Bernier.Campra's natural attraction to Italian music is easily explained, as he was the son of an Italian doctor living in Aix-en-Provence and was also a pupil of the great Poitevin in the same city. Bernier, if we are to believe certain sources, was a pupil in Rome of the Venetian Antonio Caldara, one of the most important composers of his time. Album Tracks 1. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Venite, exultemus Domino 2. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Quoniam Deus magnus Dominus 3. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Venite, adoremus 4. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Hodie, si vocem ejus audieritis 5. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Quadraginta annis offensus fui generationi illi 6. Premier Livre d'Orgue~Plein jeu 7. Laudate Dominum, Motet à voix seule et deux dessus de violons~Laudate Dominum in excelcis 8. Laudate Dominum, Motet à voix seule et deux dessus de violons~Quia ipse dixit & facta sunt 9. Laudate Dominum, Motet à voix seule et deux dessus de violons~Laudate Dominum de terra 10. Laudate Dominum, Motet à voix seule et deux dessus de violons~Montes & omnes colles 11. Laudate Dominum, Motet à voix seule et deux dessus de violons~Confessio ejus super cælum & terram 12. Deuxième Livre~Fond d'orgue 13. JudiArtistConcerto SoaveTitleCampra & Bernier: Venite, exultemusFormatCDLabelRicercar
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The motet for solo voice and two dessus, usually two violins, and the cantata with instrumental accompaniment originated in Italy at the dawn of the 17th century. The genre was introduced to France by Marc-Antoine Charpentier and by travelling Italian musicians and rapidly became one of the key showpieces of Italian taste and style. The genre was deployed superbly in the early 18th century by two magnificent composers who were practically contemporaries Andre Campra and Nicolas Bernier.Campra's natural attraction to Italian music is easily explained, as he was the son of an Italian doctor living in Aix-en-Provence and was also a pupil of the great Poitevin in the same city. Bernier, if we are to believe certain sources, was a pupil in Rome of the Venetian Antonio Caldara, one of the most important composers of his time. Album Tracks 1. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Venite, exultemus Domino 2. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Quoniam Deus magnus Dominus 3. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Venite, adoremus 4. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Hodie, si vocem ejus audieritis 5. Venite, exultemus, Septième Motet à voix seule, et Symphonie~Quadraginta annis offensus fui generationi illi 6. Premier Livre d'Orgue~Plein jeu 7. Laudate Dominum, Motet à voix seule et deux dessus de violons~Laudate Dominum in excelcis 8. Laudate Dominum, Motet à voix seule et deux dessus de violons~Quia ipse dixit & facta sunt 9. Laudate Dominum, Motet à voix seule et deux dessus de violons~Laudate Dominum de terra 10. Laudate Dominum, Motet à voix seule et deux dessus de violons~Montes & omnes colles 11. Laudate Dominum, Motet à voix seule et deux dessus de violons~Confessio ejus super cælum & terram 12. Deuxième Livre~Fond d'orgue 13. Judi
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