Costanzi / Sollima / Leskovar / Arianna Art - Giovanni Battista Costanzi: Sinfonie per violoncello - COMPACT DISCS [CD]
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With one album of cello sonatas by Giovanni Battista Costanzi behind him, Giovanni Sollima has decided to provide further proof of how Costanzi has hitherto been a woefully neglected but exciting compositional voice from that nebulous period between Baroque and Classical. With this new of Sinfonie per violoncello from Glossa, Sollima demonstrates once more the melodic inventiveness and harmonic liberty to which Costanzi was given together with a virtuoso's capacity to relish the technical demands imposed by a Roman musician who was clearly also a star player on the instrument himself. Together with the Arianna Art Ensemble Sollima has recorded five sinfonias for clelo and contiuo, and a sonata for two cellos by Costanzi where he is joined once again by Monka Leskovar. If the four-movement sonata da chiesa structure favored by Corelli is still apparent in some of these sinfonias, there is a greater openess to the galante style and influences coming from elsewhere in Europe and from across Italy, for all that Costanzi may have no ventured far outside the Eternal City. A new composition by Sollima himself - another cellist-composer - takes off from Costanzi's almost programmatic Sonata for two cellos, Inchad uso di corni da cacciaInch.
- GenreClassicalDescriptionWith one album of cello sonatas by Giovanni Battista Costanzi behind him, Giovanni Sollima has decided to provide further proof of how Costanzi has hitherto been a woefully neglected but exciting compositional voice from that nebulous period between Baroque and Classical. With this new of Sinfonie per violoncello from Glossa, Sollima demonstrates once more the melodic inventiveness and harmonic liberty to which Costanzi was given together with a virtuoso's capacity to relish the technical demands imposed by a Roman musician who was clearly also a star player on the instrument himself. Together with the Arianna Art Ensemble Sollima has recorded five sinfonias for clelo and contiuo, and a sonata for two cellos by Costanzi where he is joined once again by Monka Leskovar. If the four-movement sonata da chiesa structure favored by Corelli is still apparent in some of these sinfonias, there is a greater openess to the galante style and influences coming from elsewhere in Europe and from across Italy, for all that Costanzi may have no ventured far outside the Eternal City. A new composition by Sollima himself - another cellist-composer - takes off from Costanzi's almost programmatic Sonata for two cellos, Inchad uso di corni da cacciaInch.ArtistCOSTANZI / SOLLIMA / LESKOVAR / ARIANNA ARTTitleGiovanni Battista Costanzi: Sinfonie per violoncelloFormatCDLabelGlossa
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With one album of cello sonatas by Giovanni Battista Costanzi behind him, Giovanni Sollima has decided to provide further proof of how Costanzi has hitherto been a woefully neglected but exciting compositional voice from that nebulous period between Baroque and Classical. With this new of Sinfonie per violoncello from Glossa, Sollima demonstrates once more the melodic inventiveness and harmonic liberty to which Costanzi was given together with a virtuoso's capacity to relish the technical demands imposed by a Roman musician who was clearly also a star player on the instrument himself. Together with the Arianna Art Ensemble Sollima has recorded five sinfonias for clelo and contiuo, and a sonata for two cellos by Costanzi where he is joined once again by Monka Leskovar. If the four-movement sonata da chiesa structure favored by Corelli is still apparent in some of these sinfonias, there is a greater openess to the galante style and influences coming from elsewhere in Europe and from across Italy, for all that Costanzi may have no ventured far outside the Eternal City. A new composition by Sollima himself - another cellist-composer - takes off from Costanzi's almost programmatic Sonata for two cellos, Inchad uso di corni da cacciaInch.

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57
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