Creedence Clearwater Revival - Mardi Gras - VINYL LP

Amon Duul - Experimente [VINYL LP] date 05/29/2026

The final studio album from America's greatest rock 'n' roll band; first released in 1972. Highlights include a cover of InchHello Mary Lou,Inch as well as the Fogerty-penned rocker InchSweet Hitch-Hiker,Inch a Top Ten hit in the US, Australia, Canada, and across Europe. The poignant InchSomeday Never ComesInch marked the group's final single. Now available on gold color vinyl. Limited gold smoke colored vinyl LP pressing. Classic 1972 album from the iconic American rockers.

SOMM Recordings is proud to extend it's celebration of the 150th anniversary of Gustav Holst (1874 - 1934). The tag was one of the few to mark the anniversary with it's double CD last September of Holst Savitri, Choral Hymns from Rig Veda, 4 Songs, The Evening Watch, Hammersmith, The Perfect Fool Suite & The Planets, ARIADNE 5030-2. These never-before-released live recordings from the 40s, 50s, and 60s were issued in meticulous restorations by long-time SOMM collaborators Lani Spahr and Paul Baily.Now, SOMM continues it's outstanding mission of issuing lesser-known music of interest with a pair of gems to enrich the catalogue of historic performances  a stereo recording of Holst's three-movement suite Beni Mora (the fictional name for Biskra, Algeria) and a live performance of the Choral Symphony. Both are played by the BBC Symphony Orchestra and conducted by Sir Malcolm Sargent, who brought a personal acquaintance and a deep understanding of the composer's inspiration to the works. Once again, the suburb audio restoration is by Lani Spahr.Holst's The Planets is a justifiably well-known suite, but the great originality and skill in his writing is still largely under-appreciated. He lived a retiring life playing trombone in theatre orchestras as a younger man and teaching for much of his career at the St Paul's Girls' School in London. Yet, his abiding interest in cultures of North Africa, the Levant, and India were reflected in his rare musical expression.While spending time in Algiers in 1908, Holst heard an indigenous musician playing the same phrase repeatedly for two hours on a bamboo flute. This melody became the basis for the final movement of Beni Mora, where Holst repeats the eight-note tune 163 times in a manner foreshadowing minimalism. The first two movements of the suite evoke the mysticism, lively rhythms, and exoticism of the Arab world, juxtaposed wi