Crowhurst - Iii - VINYL LP
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Tortured and broken, Crowhurst is a shapeshifter in extreme music; from noise to drone, sludge to black metal. Each piece of music is it's own distinct page in Jay Gambit's story, working as an exploration and expression of pain. With contributing pieces from scores of renown artists, Crowhurst stands as a testament to his ability to weave ethereal, engaging soundscapes without falling into the trap which befalls so many prolific artists - predictability. Over 75 releases, many of which are singles and splits with other established artists, yet each body of work remains a dynamic, disorienting exploration unlike the last. His music weaves influence from varying genres across decades, while being shaped by his love affair with cinema and documentaries. Every tells it's own story, with each song standing as it's own character unfolding. With 2 performances at Roadburn 2019 and a flock of eager fans, Crowhurst shines as a jewel in the black metal and noise community. Beginning as a strictly experimental project, Crowhurst grew to encompass various collaborations with artists and producers such as Jack Shirley (Deafheaven, Oathbreaker), who engineered & produced 2015's InchIInch. The 2016 follow up, InchIIInch was recorded in Manchester, England and produced at Machines With Magnets (The Body, Daughters). Crowhurst finalizes their trilogy with InchIIIInch; co-written & performed by Andy Curtis-Brignell (Caïna) and recorded with legendary producer & engineer Kurt Ballou (Converge, Full Of Hell) at God City Studios in 2018, and is Crowhurst's Prophecy Productions debut. The effort features guest appearances from Tony Wakeford (Sol Invictus, Crisis), Ethan Lee McCarthy (Primitive Man), and Tara Vanflower (Lycia, Type O Negative) amongst a handful of other notables. InchIIIInch is a truly staggering record. Brutal and laced with pain, a new melodic structure unfolds itself
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VINYLSpecifications
- GenreHeavy MetalDescriptionTortured and broken, Crowhurst is a shapeshifter in extreme music; from noise to drone, sludge to black metal. Each piece of music is it's own distinct page in Jay Gambit's story, working as an exploration and expression of pain. With contributing pieces from scores of renown artists, Crowhurst stands as a testament to his ability to weave ethereal, engaging soundscapes without falling into the trap which befalls so many prolific artists - predictability. Over 75 releases, many of which are singles and splits with other established artists, yet each body of work remains a dynamic, disorienting exploration unlike the last. His music weaves influence from varying genres across decades, while being shaped by his love affair with cinema and documentaries. Every tells it's own story, with each song standing as it's own character unfolding. With 2 performances at Roadburn 2019 and a flock of eager fans, Crowhurst shines as a jewel in the black metal and noise community. Beginning as a strictly experimental project, Crowhurst grew to encompass various collaborations with artists and producers such as Jack Shirley (Deafheaven, Oathbreaker), who engineered & produced 2015's InchIInch. The 2016 follow up, InchIIInch was recorded in Manchester, England and produced at Machines With Magnets (The Body, Daughters). Crowhurst finalizes their trilogy with InchIIIInch; co-written & performed by Andy Curtis-Brignell (Caïna) and recorded with legendary producer & engineer Kurt Ballou (Converge, Full Of Hell) at God City Studios in 2018, and is Crowhurst's Prophecy Productions debut. The effort features guest appearances from Tony Wakeford (Sol Invictus, Crisis), Ethan Lee McCarthy (Primitive Man), and Tara Vanflower (Lycia, Type O Negative) amongst a handful of other notables. InchIIIInch is a truly staggering record. Brutal and laced with pain, a new melodic structure unfolds itselfArtistCrowhurstTitleIiiFormatVINYLLabelProphecy
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Tortured and broken, Crowhurst is a shapeshifter in extreme music; from noise to drone, sludge to black metal. Each piece of music is it's own distinct page in Jay Gambit's story, working as an exploration and expression of pain. With contributing pieces from scores of renown artists, Crowhurst stands as a testament to his ability to weave ethereal, engaging soundscapes without falling into the trap which befalls so many prolific artists - predictability. Over 75 releases, many of which are singles and splits with other established artists, yet each body of work remains a dynamic, disorienting exploration unlike the last. His music weaves influence from varying genres across decades, while being shaped by his love affair with cinema and documentaries. Every tells it's own story, with each song standing as it's own character unfolding. With 2 performances at Roadburn 2019 and a flock of eager fans, Crowhurst shines as a jewel in the black metal and noise community. Beginning as a strictly experimental project, Crowhurst grew to encompass various collaborations with artists and producers such as Jack Shirley (Deafheaven, Oathbreaker), who engineered & produced 2015's InchIInch. The 2016 follow up, InchIIInch was recorded in Manchester, England and produced at Machines With Magnets (The Body, Daughters). Crowhurst finalizes their trilogy with InchIIIInch; co-written & performed by Andy Curtis-Brignell (Caïna) and recorded with legendary producer & engineer Kurt Ballou (Converge, Full Of Hell) at God City Studios in 2018, and is Crowhurst's Prophecy Productions debut. The effort features guest appearances from Tony Wakeford (Sol Invictus, Crisis), Ethan Lee McCarthy (Primitive Man), and Tara Vanflower (Lycia, Type O Negative) amongst a handful of other notables. InchIIIInch is a truly staggering record. Brutal and laced with pain, a new melodic structure unfolds itself
Finnish fuzz-rock outfit Craneium are set to their third studio full-length InchUnknown HeightsInch in Autumn 2021. Blending dreamy, psychedelic soundscapes with crushingly heavy riffs and thick layers of fuzz, the new album offers a varied and dynamic take on desert rock. InchUnknown HeightsInch follows Craneium's 2016 debut InchExplore the VoidInch and 2018 sophomore InchThe Narrow LineInch, both released on US based Ripple music. Further exploring the dreamlike yet massive soundscapes presented on previous albums, InchUnknown HeightsInch showcases Craneium's experimental and colorful characteristics, more than ever before. Perfectly depicted by Roger Mattos's cover artwork. InchWe've been working towards this for the last 2-3 years or so, we finally feel that we have captured the music in a way that we haven't before. Our songwriting is better, the recording is better and we've had more time than before to really make this one our best so far! The contrast of clean and dreamy with huge heavy choruses has become somewhat of a Craneium trademark, but we really think these songs has something for all kinds of listeners, we'd dare to say that we are not your everyday stoner rock band.Inch InchUnknown HeightsInch contains 6 tracks, taking the listener on a mind-bending journey from thundering fuzz-rock riffs to oriental- influenced psychedelic sections. The album was recorded in VR Studio in Turku, Finland in 2020. Beautifully mixed and mastered by Joona Hassinen (Studio Underjord). InchUnknown HeightsInch.
These songs revolve around the transformation from man to The Übermensch (German for InchOverman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation. Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating. In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.
This is the first album curated by Rob Blasko for Ripple Music and what a start it is. Holy Death Trio are putting big pressure on Rob and his future signings.
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